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The art of nonfiction movie making /
Academy Award-winning documentary filmmakers show readers how to handle the process of making their own nonfiction filmâ€"from conception and financing through shooting, post-production, and distribution.
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Santa Barbara, CA :
ABIO-CLIO,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 019 | |a 879549619 | ||
| 020 | |a 9780313084539 |q (electronic bk.) | ||
| 020 | |a 031308453X |q (electronic bk.) | ||
| 035 | |a (OCoLC)859902209 |z (OCoLC)879549619 | ||
| 050 | 4 | |a PN1995.9.D6.F7363 2012eb | |
| 072 | 7 | |a LAN |x 008000 |2 bisacsh | |
| 082 | 0 | 4 | |a 070.18 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Friedman, Jeffrey, |d 1951- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJgHd7dv3X87rj9qdHrpfq | |
| 245 | 1 | 4 | |a The art of nonfiction movie making / |c Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox. |
| 264 | 1 | |a Santa Barbara, CA : |b ABIO-CLIO, |c 2012. | |
| 300 | |a 1 online resource (xxii, 239 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references, filmography and index. | ||
| 505 | 0 | |a Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject. | |
| 505 | 8 | |a Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements. | |
| 505 | 8 | |a ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths. | |
| 505 | 8 | |a Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence. | |
| 505 | 8 | |a PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production. | |
| 520 | |a Academy Award-winning documentary filmmakers show readers how to handle the process of making their own nonfiction filmâ€"from conception and financing through shooting, post-production, and distribution. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Documentary films |x Production and direction |v Handbooks, manuals, etc. | |
| 650 | 6 | |a Documentaires |x Production et réalisation |v Guides, manuels, etc. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a Documentary films |x Production and direction |2 fast | |
| 655 | 7 | |a Handbooks and manuals |2 fast | |
| 700 | 1 | |a Epstein, Robert P., |d 1955- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJgHdt9cwV6bjv7wBJjHmd | |
| 700 | 1 | |a Wood, Sharon, |d 1952- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjMqBqtBqYkVqKm83gfbr3 | |
| 776 | 0 | 8 | |i Print version: |z 9780275992255 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=995932 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL995932 | ||
| 938 | |a EBSCOhost |b EBSC |n 476250 | ||
| 994 | |a 92 |b IZTAP | ||