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|a Currie, James R.,
|e author.
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|a Music and the politics of negation /
|c James R. Currie.
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|a Bloomington ;
|a Indianapolis :
|b Indiana University Press,
|c 2012.
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300 |
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|a 1 online resource.
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|a text
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|2 rda
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|a Dictionary
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|a Musical meaning and interpretation
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|a Includes bibliographical references and index.
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|a Veils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said).
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|a Print version record.
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|a Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation.
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546 |
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
|
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|a Music
|x Political aspects.
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650 |
|
0 |
|a Postmodernism.
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650 |
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|a Musicology.
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|a Musique
|x Aspect politique.
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|a Postmodernisme.
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|a Musicologie.
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|a musicology.
|2 aat
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|a MUSIC
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|a Music
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|2 fast
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|a Musicology
|2 fast
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|a Postmodernism
|2 fast
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|a Postmoderne
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|a Musik
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|a Politik
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|i has work:
|a Music and the politics of negation (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGQfXcGQTC6JpjPb3bF9pd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|z 9780253357038
|z 0253357039
|w (DLC) 2011051853
|
830 |
|
0 |
|a Musical meaning and interpretation.
|
856 |
4 |
0 |
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