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The heretical archive : digital memory at the end of film /
This book examines the relationship between memory and creation in artworks that use digital technology while appropriating film materials. The author argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, s...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis ; London :
University of Minnesota Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Torlasco, Domietta, |d 1968- |1 https://id.oclc.org/worldcat/entity/E39PCjGyDXjCQBV8PdWWrk664y | |
| 245 | 1 | 4 | |a The heretical archive : |b digital memory at the end of film / |c Domietta Torlasco. |
| 264 | 1 | |a Minneapolis ; |a London : |b University of Minnesota Press, |c 2013. | |
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| 504 | |a Includes bibliographical references (pages 101-115) and index. | ||
| 505 | 0 | |a Introduction -- Against house arrest -- Digital impressions : writing memory after Agnes Varda -- Folding time : toward a new theory of montage -- Archiving disappearance : from Michelangelo Antonioni to new media. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This book examines the relationship between memory and creation in artworks that use digital technology while appropriating film materials. The author argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema's perceptual and political textures. | ||
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| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Semiotics & Theory. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Filmteori. |2 sfit | |
| 650 | 7 | |a Digitalisering. |2 sfit | |
| 650 | 7 | |a Teknikutveckling. |2 sfit | |
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| 776 | 0 | 8 | |i Print version: |a Torlasco, Domietta. |t Heretical Archive : Digital Memory at the End of Film. |d Minneapolis : University of Minnesota Press, ©2013 |z 9780816681105 |
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