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Gender, ethnicity and sexuality in contemporary American film /
First published in 2000.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago, Il :
Fitzroy Dearborn Publishers,
2000.
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| Colección: | BAAS paperbacks.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: the uses of identity in post-Reagan Hollywood film
- White masculinity as paternity: Michael Douglas, fatherhood and the uses of the American family. Wall Street: good capitalism and bad--the all-male family vs. homosexual seduction ; Falling down: identity politics for straight white males ; Disclosure: virtual identities--sexual politics and Pacific Rim economics
- Transactions in race and ethnicity: positive, negative and interrogative images of African Americans on film. The function of race in constructions of American ethnicity ; Negative, positive and interrogative images ; 'The new racism' and cultural politics in the 1990s ; Glory: African American history as male rites of passage ; Tensioned and interlocking identities in Daughters of the dust ; Iconicity: image and narrative in Spike Lee's Malcom X.
- Putting the homo into America: reconstructing gay identities in the national frame. The celluloid closet and The question of equality: reconstructing gay film history ; Stonewall's romances of resistance ; Tongues untied and national narratives of black and gay identity ; Swoon: murdering stereotypes ; Go fish: lesbian romances of resistance ; Philadelphia: people like us?
- Conclusion: aliens from Star Wars to Independence Day.