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Dance on its own terms : histories and methodologies /

Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Bales, Melanie, Eliot, Karen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, [2013]
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Dance on its own terms :  |b histories and methodologies /  |c edited by Melanie Bales and Karen Eliot. 
264 1 |a New York :  |b Oxford University Press,  |c [2013] 
264 4 |c ©2013 
300 |a 1 online resource (vi, 448 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 8 |a Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. 
505 0 |a ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. “Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube"" 
505 8 |a ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s “Prayer for the Deadâ€?"" 
505 8 |a ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance"" 
505 8 |a Contributor BiographiesIndex -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z 
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650 0 |a Dance  |x Research. 
650 0 |a Dance  |x Methodology. 
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650 6 |a Danse  |x Méthodologie. 
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650 7 |a Dance  |2 fast 
655 7 |a History  |2 fast 
700 1 |a Bales, Melanie. 
700 1 |a Eliot, Karen. 
758 |i has work:  |a Dance on its own terms (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGXdjRFhhXRYCmRRxKBK8d  |4 https://id.oclc.org/worldcat/ontology/hasWork 
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856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3055619  |z Texto completo 
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