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Theorising Performance : Greek Drama, Cultural History and Critical Practice.
This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - ""Sophocles"", "&quo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 050 | 4 | |a PA3238 .T44 2013 | |
| 082 | 0 | 4 | |a 882.0109 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Publishing, Bloomsbury. | |
| 245 | 1 | 0 | |a Theorising Performance : |b Greek Drama, Cultural History and Critical Practice. |
| 260 | |a London : |b Bloomsbury Publishing, |c 2013. | ||
| 300 | |a 1 online resource (320 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Contents; List of Illustrations; Contributors; Acknowledgements; 1. Introduction; I. Paradigms; 2. Towards a Theory of Performance Reception; 3. Performance as Event -- Reception as Transformation; 4. Greek and Shakespearean Plays in Performance: Their Different Academic Receptions; 5. Cultural History and Aesthetics: Why Kant is No Place to Start Reception Studies; 6. Performance, Reception, Aesthetics: Or Why Reception Studies Need Kant; 7. From à la carte to Convergence: Symptoms of Interdisciplinarity in Reception Theory. | |
| 505 | 8 | |a 8. Archiving Events, Performing Documents: On the Seductions and Challenges of Performance ArchivesII. Mind, Body and the Tragic; 9. Bringing Together Nature and Culture: On the Uses and Limits of Cognitive Science for the Study of Performance Reception; 10. Does a Deleuzean Philosophy of Radical Physicality Lead to the 'Death of Tragedy'? Some Thoughts on the Dismissal of the Climactic Orientation of Greek Tragedy; 11. Generic Ambiguity in Modern Productions and New Versions of Greek Tragedy; III. Translating Cultures; 12. Revising 'Authenticity' in Staging Ancient Mediterranean Drama. | |
| 505 | 8 | |a 13. Towards Theorising the Place of Costume in Performance Reception14. Performance Reception and the 'Textual Twist': Towards a Theory of Literary Reception; 15. Negotiating Translation for the Stage; 16. From Translation to Performance Reception: The Death of the Author and the Performance Text; IV. Practitioners and Theory; 17. Acting Perspectives: The Phenomenology of Performance as a Route to Reception; 18. Physical Performance and the Languages of Translation; 19. 'Spatial Poetics' and Greek Drama: Scenography as Reception; 20. Translating Greek Drama for Performance; Bibliography. | |
| 505 | 8 | |a IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | |
| 520 | |a This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - ""Sophocles"", ""Oedipus"", ""Euripides"", and ""Medea""--Have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outd. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Greek drama |x History and criticism |v Congresses. | |
| 650 | 0 | |a Greek drama |x Modern presentation |v Congresses. | |
| 650 | 0 | |a Literature. | |
| 650 | 0 | |a Greek drama |x History and criticism |v Handbooks, manuals, etc. | |
| 650 | 0 | |a Literature, Modern. | |
| 650 | 6 | |a Théâtre grec |x Histoire et critique |v Congrès. | |
| 650 | 6 | |a Théâtre grec |x Production et mise en scène modernes |v Congrès. | |
| 650 | 6 | |a Littérature. | |
| 650 | 6 | |a Théâtre grec |x Histoire et critique |v Guides, manuels, etc. | |
| 650 | 7 | |a Literary studies: classical, early & medieval. |2 bicssc | |
| 650 | 7 | |a Literary studies: plays & playwrights. |2 bicssc | |
| 650 | 7 | |a Literary Criticism |x Ancient & Classical. |2 bisacsh | |
| 650 | 7 | |a Literature, Modern |2 fast | |
| 650 | 7 | |a Greek drama |2 fast | |
| 650 | 7 | |a Greek drama |x Modern presentation |2 fast | |
| 650 | 7 | |a Literature |2 fast | |
| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Handbooks and manuals |2 fast | |
| 758 | |i has work: |a Theorising performance (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4RpDcJc9HdyyQTbp4C33 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Publishing, Bloomsbury. |t Theorising Performance : Greek Drama, Cultural History and Critical Practice. |d London : Bloomsbury Publishing, ©2013 |z 9780715638262 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1394940 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1394940 | ||
| 938 | |a ebrary |b EBRY |n ebr10761775 | ||
| 994 | |a 92 |b IZTAP | ||