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Musical Creativity in Restoration England.
Rebecca Herissone's study is the first comprehensive investigation of approaches to the creation of music in late seventeenth-century England.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Contents; Figures; Music examples; Tables; Preface; Editorial method; Staves and braces; Clefs; Note values, barring and metre; Stave signatures and accidentals; Beaming; Slurs and ties; Figuring; Text, spelling and underlay; Abbreviations; References to pitch and rhythm; Manuscript shelfmarks; RISM sigla; Belgium; France; Germany; Great Britain ('GB' is omitted); Ireland; Italy; Japan; United States of America; Anonymous copyists; Autograph manuscripts; Part I Creative contexts and principles; 1 Imitation, originality and authorship; Principles of invention; Imitatio in practice.
- Authorship and originalityConclusions; 2 Sources and their functions; Practical functions of Restoration music manuscripts; Fowle originalls; Performance materials; Transmission manuscripts; File copies; Presentation and collectors' manuscripts; Pedagogical materials; Conclusions; Part II Creative strategies; 3 'Ye fowle Originall in score': initial invention and the functions of notation; Creative strategies relating to large-scale structure; The composition of instrumental and vocal sections in large-scale works; The functions of file copies of large-scale music for events.
- Creative strategies within movementsPart invention in non-imitative styles; Part invention in contrapuntal textures; Example of the first Platform of a Fuge; Contrasting approaches: Oxford Act songs and odes; Conclusions; 4 'I have here sent ye full Anthems': transmission and the culture of serial recomposition; Manuscript transmission and the concept of serial recomposition; Background variation and the creative role of the copyist; Conclusions; 5 'For Seaverall Freinds': consort music and the study of musical texts; Serial recomposition in consort music.
- Serial recomposition in Locke's consort musicSerial recomposition in the consort music of Bowman, Hingeston and Henry Purcell; Notational exactitude and the study of musical texts; Stylistic change and the decline of notational exactitude; Conclusions; 6 'His mind be filled with the materiall': arrangement, improvisation and the role of memory; The creative role of the arranger; Song arrangments; Keyboard arrangements; The creative implications of memorization; Scribal memory stores and the 'gist'; Aural transcription and the creative role of the performer; Conclusions; Bibliography.
- Primary sources (including facsimiles)Music; Literary texts, including music theory and discourse; Secondary sources; Modern editions of music; Index of manuscripts; Index of musical works; General index.