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Musical Creativity in Restoration England.
Rebecca Herissone's study is the first comprehensive investigation of approaches to the creation of music in late seventeenth-century England.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 049 | |a UAMI | ||
| 100 | 1 | |a Herissone, Rebecca. | |
| 245 | 1 | 0 | |a Musical Creativity in Restoration England. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (462 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Figures; Music examples; Tables; Preface; Editorial method; Staves and braces; Clefs; Note values, barring and metre; Stave signatures and accidentals; Beaming; Slurs and ties; Figuring; Text, spelling and underlay; Abbreviations; References to pitch and rhythm; Manuscript shelfmarks; RISM sigla; Belgium; France; Germany; Great Britain ('GB' is omitted); Ireland; Italy; Japan; United States of America; Anonymous copyists; Autograph manuscripts; Part I Creative contexts and principles; 1 Imitation, originality and authorship; Principles of invention; Imitatio in practice. | |
| 505 | 8 | |a Authorship and originalityConclusions; 2 Sources and their functions; Practical functions of Restoration music manuscripts; Fowle originalls; Performance materials; Transmission manuscripts; File copies; Presentation and collectors' manuscripts; Pedagogical materials; Conclusions; Part II Creative strategies; 3 'Ye fowle Originall in score': initial invention and the functions of notation; Creative strategies relating to large-scale structure; The composition of instrumental and vocal sections in large-scale works; The functions of file copies of large-scale music for events. | |
| 505 | 8 | |a Creative strategies within movementsPart invention in non-imitative styles; Part invention in contrapuntal textures; Example of the first Platform of a Fuge; Contrasting approaches: Oxford Act songs and odes; Conclusions; 4 'I have here sent ye full Anthems': transmission and the culture of serial recomposition; Manuscript transmission and the concept of serial recomposition; Background variation and the creative role of the copyist; Conclusions; 5 'For Seaverall Freinds': consort music and the study of musical texts; Serial recomposition in consort music. | |
| 505 | 8 | |a Serial recomposition in Locke's consort musicSerial recomposition in the consort music of Bowman, Hingeston and Henry Purcell; Notational exactitude and the study of musical texts; Stylistic change and the decline of notational exactitude; Conclusions; 6 'His mind be filled with the materiall': arrangement, improvisation and the role of memory; The creative role of the arranger; Song arrangments; Keyboard arrangements; The creative implications of memorization; Scribal memory stores and the 'gist'; Aural transcription and the creative role of the performer; Conclusions; Bibliography. | |
| 505 | 8 | |a Primary sources (including facsimiles)Music; Literary texts, including music theory and discourse; Secondary sources; Modern editions of music; Index of manuscripts; Index of musical works; General index. | |
| 520 | |a Rebecca Herissone's study is the first comprehensive investigation of approaches to the creation of music in late seventeenth-century England. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |z England |y 17th century |x History and criticism. | |
| 650 | 0 | |a Composition (Music) |x History |y 17th century. | |
| 650 | 6 | |a Musique |z Angleterre |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Composition (Musique) |x Histoire |y 17e siècle. | |
| 650 | 7 | |a Composition (Music) |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a England |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C | |
| 648 | 7 | |a 1600-1699 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Musical creativity in Restoration England (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFYYWg7Hd7PfxqygdDpH83 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Herissone, Rebecca. |t Musical Creativity in Restoration England. |d Cambridge : Cambridge University Press, ©2013 |z 9781107014343 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1303629 |z Texto completo |
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