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Revolution and rebellion in Mexican film /

Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Thornton, Niamh
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Bloomsbury Academic, ©2013.
Colección:Topics and issues in national cinema.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Revolution and rebellion in Mexican film /  |c by Niamh Thornton. 
260 |a New York :  |b Bloomsbury Academic,  |c ©2013. 
300 |a 1 online resource (vii, 212 pages) 
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490 1 |a Topics and Issues in National Cinema 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; HalfTitle; Title; Copyright; Contents; Acknowledgements; Introduction; Structure; Revolution, rebellions and archives; 1 War Stories on Film: Chaos, Confusion and Creativity; Revolution on screen: ¡Vámonos con Pancho Villa!; The (pre)dominance of the studio films; Out with the studio, in with the young; Documentary, fiction and conflict; Conclusion; 2 A Woman at War: María Félix; La Cucaracha; Juana Gallo (Miguel Zacarías, 1960); La Bandida; Conclusion; 3 Revisiting the Revolution: Mexico's Independents Challenge Conventions; Las fuerzas vivas; El principio; Conclusion. 
505 8 |a 4 Mexico 1968 on Film: Screening State ViolenceContext; Filmmaking and film school; Documentaries; Feature films; Conclusion; 5 Zapata and the (Neo)Zapatistas: Indigenous Heroes and Online Warriors; Zapata on film; Zapatistas on film; Conclusion; 6 Romance, History and Violence: The 1990s and 2000s; Conclusion; Bibliography; Filmography; Index. 
520 |a Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to ref. 
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