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|a Scholz, Anne-Marie.
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|a From Fidelity to History :
|b Film Adaptations as Cultural Events in the Twentieth Century.
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260 |
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|a New York :
|b Berghahn Books,
|c 2013.
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300 |
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|a 1 online resource (239 pages)
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|a Transatlantic Perspectives
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|a Print version record.
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|a Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past.
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|a Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s.
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|a Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index.
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520 |
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|a Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and Th.
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|a Includes bibliographical references and index.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Film adaptations
|x History and criticism.
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650 |
|
0 |
|a Motion pictures and literature.
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650 |
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|a Motion pictures and history.
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650 |
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6 |
|a Adaptations cinématographiques
|x Histoire et critique.
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650 |
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|a Cinéma et littérature.
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|a Cinéma et histoire.
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|a Film adaptations
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|a Literatur
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|a USA
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|a Deutschland
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653 |
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|a Cultural Studies (General), History: 20th Century to Present, Film and Television Studies.
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655 |
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|a Criticism, interpretation, etc.
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758 |
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|i has work:
|a From fidelity to history (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGdfpPp6pkbtbhBjFQtgw3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Scholz, Anne-Marie.
|t From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century.
|d New York : Berghahn Books, ©2013
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