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Music in Germany since 1968 /
Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
|
| Colección: | Music since 1900.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Williams, Alastair. | |
| 245 | 1 | 0 | |a Music in Germany since 1968 / |c Alastair Williams. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (294 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music Since 1900 | |
| 505 | 0 | |a Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell. | |
| 505 | 8 | |a Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation. | |
| 505 | 8 | |a Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index. | |
| 520 | |a Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |z Germany |y 20th century |x History and criticism. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x International. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
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| 650 | 7 | |a Musik |2 gnd | |
| 651 | 7 | |a Deutschland |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Williams, Alastair. |t Music in Germany since 1968. |d Cambridge : Cambridge University Press, 2013 |z 9780521877596 |
| 830 | 0 | |a Music since 1900. | |
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