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|a UAMI
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|a McClelland, Clive.
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|a Ombra :
|b Supernatural Music in the Eighteenth Century.
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|a Lanham :
|b Lexington Books,
|c 2012.
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|a 1 online resource (258 pages)
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|a Ombra; Contents; Introduction; Abbreviations; Chapter 1 Ombra Music in Context; Chapter 2 Tonality (Opera); Chapter 3 Harmony and Line (Opera); Chapter 4 Tempo and Rhythm (Opera); Chapter 5 Texture, Dynamics and Instrumentation (Opera); Chapter 6 Case Studies in Opera; Chapter 7 Ombra in Sacred Music; Chapter 8 Ombra in Instrumental Music; Chapter 9 Ombra after Mozart; Appendix A; Appendix B; Bibliography; Index; About the Author.
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|a Ombra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror, ' thus placing ombra music in an imp.
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|a Print version record.
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504 |
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|a Includes bibliographical references and index.
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546 |
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Opera
|y 18th century.
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650 |
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|a Supernatural in opera.
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650 |
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|a Surnaturel à l'opéra.
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650 |
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|a MUSIC
|x Genres & Styles
|x Opera.
|2 bisacsh
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|x Opera & Classical Scores.
|2 bisacsh
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|a Opera
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|a Supernatural in opera
|2 fast
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|a Oper
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|a Das Übernatürliche
|2 gnd
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|a 1700-1799
|2 fast
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758 |
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|i has work:
|a Ombra (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGdXGwDpg8CJPpyMm6FvVC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a McClelland, Clive.
|t Ombra : Supernatural Music in the Eighteenth Century.
|d Lanham : Lexington Books, ©2012
|z 9780739169735
|
856 |
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