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Ombra : Supernatural Music in the Eighteenth Century.

Ombra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McClelland, Clive
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Lexington Books, 2012.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Ombra; Contents; Introduction; Abbreviations; Chapter 1 Ombra Music in Context; Chapter 2 Tonality (Opera); Chapter 3 Harmony and Line (Opera); Chapter 4 Tempo and Rhythm (Opera); Chapter 5 Texture, Dynamics and Instrumentation (Opera); Chapter 6 Case Studies in Opera; Chapter 7 Ombra in Sacred Music; Chapter 8 Ombra in Instrumental Music; Chapter 9 Ombra after Mozart; Appendix A; Appendix B; Bibliography; Index; About the Author. 
520 |a Ombra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror, ' thus placing ombra music in an imp. 
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504 |a Includes bibliographical references and index. 
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650 0 |a Supernatural in opera. 
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650 7 |a Supernatural in opera  |2 fast 
650 7 |a Oper  |2 gnd 
650 7 |a Das Übernatürliche  |2 gnd 
648 7 |a 1700-1799  |2 fast 
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