Jazz and machine-age imperialism : music, "race," and intellectuals in France, 1918-1945 /

Mostrar otras versiones (2)

This book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lane, Jeremy F. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : The University of Michigan Press, [2013]
Colección:Jazz perspectives.
Temas:
1900-1999
Jazz > France > History and criticism.
Music and race > France > History > 20th century.
World War, 1939-1945 > Music and the war.
Musique et race > France > Histoire > 20e siècle.
Guerre mondiale, 1939-1945 > Musique et guerre.
MUSIC > Genres & Styles > Jazz.
HISTORY > Europe > France.
Jazz
Music and race
Music and war
France
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Between "the Virgin Forest and Modernism" : Techno-Primitive Hybrids in the Work of André Schaeffner and Robert Goffin
  • Armstrong's "Bitter Laughter" : Jazz, Gender, and Racial Politics in Léon-Gontran Damas's Pigments (1937)
  • Jazz as Antidote to the Machine Age : From Hugues Panassié to Léopold Sédar Senghor
  • "And What If Jazz Were French ...?" : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France
  • "Marvellous" Ellington : René Ménil, Jazz, Surrealism, and Creole Identity in Wartime Martinique.

Ejemplares similares