Romanticism, gender, and violence : Blake to George Sodini /
Responding to work by Eve Sedgwick and recent media attention to queer suicide, this project theorizes performative melancholia, a condition where, regardless of sexual orientation, overinvestment in gender norms causes subjects who are unable to embody those norms to experience socially expected (&...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Lewisburg :
Bucknell University Press,
[2013]
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: I. Romantic Coupling, Failure, and Melancholia
- 1. Social Bond(age)s in Visions of the Daughters of Albion
- 2. Rethinking Burney, Gender, and Violence: Camilla and the Masochistic Contract
- II. Melancholic Femininities
- 3. "Corrupt Nature": Performative Melancholia and Violence in Zofloya
- 4. Siren Songs: Maggie Tulliver, Music, and Performative Melancholia in The Mill on the Floss
- III. Melancholic Masculinities
- 5. Monstrosity and Failed Masculinity in The Giaour
- 6. Competition and Melancholic Masculinity in Caleb Williams
- IV. Abandonment, Performative Melancholia, and Madness
- 7. Performative Melancholia and the Gothic Body in Wordsworth and Shelley
- 8. Amelia Opie's The Father and Daughter: Female Masochism and Male Madness
- V. After Romanticism
- 9. Refusing Butler's Binary: Bisexuality and Performative Melancholia in Mrs. Dalloway
- 10. Heteronormativity and Performative Melancholia in Dancer from the Dance.