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The owner's manual to the voice : a guide for singers and other professional voice users /

Singers must equip themselves with enough knowledge to clearly convey specific sensations and difficulties with their instrument. Understanding of potential dangers and disorders, familiarity with a variety of medical procedures, and comprehension in various facets of diagnosis and treatments empowe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gates, Rachael
Otros Autores: Forrest, Arick, Obert, Kerrie
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, 2013.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: 1. Introduction
  • 2. Your Instrument at a Glance
  • 2.1. Where Is It?
  • 2.2. Bodymapping
  • 2.3. Basic Mechanics
  • 2.4. Many Functions of the Larynx
  • 3. Singer as an Athlete
  • 3.1. Buff, With Abs of Steel
  • 3.2. Sleep
  • 3.3. Nutrition
  • 3.4. Foods to Avoid and Why
  • 3.5. Body Movement
  • 3.6. Vocal Maintenance
  • 3.7. Vocalizing
  • 3.8. Mouth Breathing Versus Nose Breathing
  • 3.9. Vocal Hazards
  • 3.10. Vocal Myths
  • 4. Troubleshooting
  • 5. Indirect Culprits
  • 5.1. Asthma
  • 5.2. Allergies
  • 5.3. Dehydration
  • 5.4. Obesity
  • 5.5. Premenstrual Syndrome
  • 5.6. Pregnancy
  • 5.7. Menopause
  • 5.8. Old Age
  • 5.9. Arthritis
  • 5.10. Reflux and Heartburn
  • 5.11. Obstructive Sleep Apnea Syndrome
  • 6. What Purpose Does the ENT Clinic Serve and How Will It Serve You?
  • 6.1. ENT Clinic
  • 6.2. Voice Specialists
  • 6.3. Working as a Team
  • 7. Vocalist's Guide to Finding the Right ENT
  • 7.1. Why Go?
  • 7.2. Whom to Ask
  • 7.3. What to Ask
  • 8. First Visit and Procedure
  • 8.1. How Long Will It Take?
  • 8.2. What They Need to Know About You and Why
  • 8.3. Instruments Used in the Clinic
  • 8.4. Understanding Hygiene in the Clinic
  • 8.5. What They Will Do, Where They Will Probe, and Why
  • 9. Partnership in Performance
  • 9.1. Diagnose With the Doctor-Don't be Left Out!
  • 9.1. How Voice Specialists See Your Instrument
  • 9.3. Semantics
  • 9.4. Synonyms: A Rosetta Stone for Voice and Medical Professionals
  • 9.5. Misnomers
  • 9.6. Terms to Avoid
  • 10. Common Pathologies and Disorders in Singers and Possible Treatments
  • 10.1. Laryngeal Edema and Erythema
  • 10.2. Laryngitis
  • 10.3. Vocal Fold Hemorrhage
  • 10.4. Vocal Fold Varix
  • 10.5. Vocal Fold Nodules
  • 10.6. Vocal Fold Cyst
  • 10.7. Vocal Fold Polyp
  • 10.8. Polypoid Corditis
  • 10.9. Vocal Fold Bowing
  • 10.10. Sulcus Vergeture
  • 10.11. Laryngeal Granuloma
  • 10.12. Laryngeal Contact Ulcers
  • 10.13. Laryngeal Web
  • 10.14. Laryngeal Papilloma
  • 10.15. Muscle Tension Dysphonia
  • 10.16. Unilateral Vocal Fold Paralysis and Paresis
  • 10.17. Arytenoid Dislocation
  • 10.18. Laryngeal Sicca
  • 10.19. Essential Vocal Tremor
  • 11. Vocally Hazardous Drugs
  • 11.1. Allergy and Cold Medications
  • 11.2. Antibiotics
  • 11.3. Anxiety Medications/Antidepressants/Mood Stabilizers
  • 11.4. Asthma Medications
  • 11.5. Blood Pressure Medications (Antihypertensives)
  • 11.6. Blood Thinners
  • 11.7. Cough Suppressants (Antitussives)
  • 11.8. Dermatologic Drugs
  • 11.9. Diarrhea Medications/Antispasmodics
  • 11.10. Gastrointestinal/Reflux Medications
  • 11.11. Hormone Therapy
  • 11.12. Nausea/Motion Sickness/Antidizziness Medications
  • 11.13. Mucolytics
  • 11.14. Pain Relievers
  • 11.15. Sleep Aids
  • 11.16. Steroids
  • 11.17. Herbal Medications
  • 11.18. Vitamin Supplements
  • 12. Cautions to the Singer Undergoing Surgery
  • 12.1. Aspects of the Surgical Process that Concern Singers
  • 12.2. Postoperation Concerns
  • 12.3. Common Problems Where Surgery Could Affect the Voice Mechanism
  • 12.4. Microlaryngeal Surgery
  • 12.5. Common Instruments and Materials Used in Microlaryngeal Surgery
  • 13. Hypothetical Microlaryngeal Phonosurgery
  • 13.1. Scheduling
  • 13.2. Check-In
  • 13.3. Preoperative Care
  • 13.4. Operation
  • 13.5. Postoperative Care
  • 13.6. At Home
  • 14. Common Questions Answered
  • 14.1. What Gives Us Each Our Own Unique Sound?
  • 14.2. Why Does My Recorded Voice Sound Different?
  • 14.3. How Are Opera Singers Heard Over an Orchestra Without Amplification?
  • 14.4. How Do I Avoid Getting Nodules?
  • 14.5. What Are the Best/Worst Types of Beverages for My Voice Around Performances?
  • 14.6. Should I Really Avoid Dairy Products While in Production?
  • 14.7. How Much Time Should I Spend Warming Up Before a Lesson?
  • 14.8. What Exactly Happens When My Voice Gets Hoarse?
  • 14.9. What Happens When I Lose My Voice?
  • 14.10. What Causes Vibrato?
  • 14.11. To What Extent Is a Great Voice Determined by Vocal Physiology?
  • 14.12. What Causes a Tickle?
  • 14.13. My Voice Gets So Tired When I'm Trying to Memorize Music. What Should I Do?
  • 14.14. What Do My Vocal Folds Look Like When I Sing a Whistle Tone?
  • 14.15. Why Do Some Singers Find Vocal Agility Easy and Others Find It More Difficult?
  • 15. Glossary
  • 15.1. Acronyms and Abbreviations
  • 15.2. Suffixes
  • 15.3. Vocabulary.