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Clown through mask : the pioneering work of Richard Pochinko as practised by Sue Morrison /
Richard Pochinko (1946-89) played a pioneering role in North American clown theatre through the creation of an original pedagogy synthesizing modern European and Indigenous Native American techniques.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Coburn, Veronica. | |
| 245 | 1 | 0 | |a Clown through mask : |b the pioneering work of Richard Pochinko as practised by Sue Morrison / |c by Veronica Coburn and Sue Morrison. |
| 260 | |a Bristol : |b Intellect, |c 2013. | ||
| 300 | |a 1 online resource (xiv, 492 pages, 56 unnumbered pages of plates) : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 491-492). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a FrontCover; Half-title; Title; Copyright; Contents; Preface; INTRODUCTION; What Is A Clown?; How Does The Red Nose Work?; Modern Performance Clown: Clown Theatre; What Pochinko Clown Has To Offer The Art Form; BACKGROUND INFORMATION; Chapter 1: Richard Pochinko; Historical Photos; Chapter 2: Sue Morrison; PART ONE: The Basics of Pochinko Clown; Chapter 3: The First Day; Daughters Of Copperwoman: Clowns; Chapter 4: Preparatory Exercises; The First Exercise; Clown Games: Jacques Á Dit; Clown Games: Mr. Hit!; Sensory Exercises: Walk To The Wall; Sensory Exercises: Walk To The Energy Wall. | |
| 505 | 8 | |a Sensory Exercises: Run To The Energy WallSynopsis; Chapter 5: First Foundation Exercise For Clown; First Foundation Exercise For Clown: Present Yourself; Synopsis; Chapter 6: First Foundation Exercise For Mask; First Foundation Exercise For Mask: Masterpiece/Creator; Synopsis; Chapter 7: Second Foundation Exercise For Clown; Second Foundation Exercise For Clown: Fantastic Spaces; Synopsis; Chapter 8: Second Foundation Exercise For Mask; Second Foundation Exercise For Mask: Exploration Of Colour; Ritual: The Entry, Commitment & Exploration; Experience: Independent Visualization; Public Shame. | |
| 505 | 8 | |a SynopsisPART TWO: Building a Personal Mythology; Chapter 9: Making One North; Building A Personal Mythology; Making One North; Ritual; Workshop Photos; Public Shame; Synopsis; Workshop Photos; Chapter 10: Experience & Innocence; Saying Goodbye To Someone You Love; Return To Childhood; Synopsis; Chapter 11: Painting One North; Ritual; Public Shame; Synopsis; Chapter 12: Wearing One North; Experience; Ritual; Workshop Photos; Experience: The Mantel Of Myth; Workshop Photos; Public Shame; Workshop Photos; Innocence; Ritual; Experience; Public Shame; Mask as Tool. | |
| 505 | 8 | |a Public Performance: The Red Nose TurnSynopsis; Chapter 13: Checking In; Chapter 14: The First Turn; The Turn Of One North: Survival; Daily Practice; Impulse Exercise; The First Turns; Workshop Photos; Synopsis; PART THREE: Masks Two to Six; Chapter 15: Making & Wearing Mask Two South; Mask Photos; Synopsis; Chapter 16: Making & Wearing Mask Three East -- Time To Check In; Synopsis; Chapter 17: Making & Wearing Mask Four West; Mask Photos; Synopsis; Chapter 18: Making & Wearing Mask Five Below Below; Synopsis; Chapter 19: Making & Wearing Mask Six Above Above; PART FOUR: Performance. | |
| 505 | 8 | |a Chapter 20: The Turn For Two SouthAll Things To Do With Script; Example Two South; Synopsis; Chapter 21: The Turn For Three East; All Things To Do With Truth; A Truthful Body; Maintaining Truth; Synopsis; Chapter 22: The Turn For Four West; All Things To Do With Connection; Synopsis; Chapter 23: The Turn For Five Below Below; Momentum; Synopsis; Chapter 24: The Turn For Six Above Above; The Game; Synopsis; Chapter 25: The Soirée; PART FIVE: Joey & Auguste; Chapter 26: The Basics; Synopsis; Chapter 27: Performance Exercises; The First Performance Exercise -- Working In Pairs. | |
| 520 | |a Richard Pochinko (1946-89) played a pioneering role in North American clown theatre through the creation of an original pedagogy synthesizing modern European and Indigenous Native American techniques. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Pochinko, Richard. |
| 600 | 1 | 7 | |a Pochinko, Richard |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvmHjF4rcrBdYtBjtt3Qq |
| 650 | 0 | |a Clowns. | |
| 650 | 0 | |a Clowning. | |
| 650 | 0 | |a Comedy |x Technique. | |
| 650 | 6 | |a Clowns. | |
| 650 | 6 | |a Art clownesque. | |
| 650 | 6 | |a Comédie |x Technique. | |
| 650 | 7 | |a clowns. |2 aat | |
| 650 | 7 | |a DRAMA |x American. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / General |2 bisacsh | |
| 650 | 7 | |a Clowning |2 fast | |
| 650 | 7 | |a Clowns |2 fast | |
| 650 | 7 | |a Comedy |x Technique |2 fast | |
| 700 | 1 | |a Morrison, Sue |c (Performer) |1 https://id.oclc.org/worldcat/entity/E39PCjDyhrQMjbCgdrbXmk83cP | |
| 758 | |i has work: |a Clown through mask (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH8ykgvKt9HgWffgxKvYCP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Coburn, Veronica. |t Clown through mask. |d Bristol : Intellect, 2013 |z 9781841505749 |w (OCoLC)828717308 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1222414 |z Texto completo |
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