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Criminal law and the modernist novel : experience on trial /

"The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ferguson, Rex, 1977-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York, NY : Cambridge University Press, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ferguson, Rex,  |d 1977-  |1 https://id.oclc.org/worldcat/entity/E39PCjy7WKr4vTvg7FCtGt4Jfy 
245 1 0 |a Criminal law and the modernist novel :  |b experience on trial /  |c Rex Ferguson, University of Birmingham. 
264 1 |a Cambridge ;  |a New York, NY :  |b Cambridge University Press,  |c 2013. 
300 |a 1 online resource (ix, 212 pages) 
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504 |a Includes bibliographical references (pages 195-208) and index. 
520 |a "The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of non-experience--one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such non-experience colours the overlapping relationship between law and literary modernism. Chapters on E.M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insights to scholars and students of twentieth-century literature, cultural studies and the history of law and philosophy."--Jacket. 
505 0 |a Introduction -- The trials of experience: from enlightened subjectivity to Woolfian moments of being -- Mysteries and muddles in A passage to India -- The good soldier and the good reader -- The repeated appeal of Proust and Dreyfus -- Conclusion: experiencing the hyper-real. 
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650 0 |a French fiction  |y 20th century  |x History and criticism. 
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650 0 |a Trials in literature. 
650 0 |a Modernism (Literature) 
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650 6 |a Droit dans la littérature. 
650 6 |a Procès dans la littérature. 
650 6 |a Modernisme (Littérature) 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a English fiction  |2 fast 
650 7 |a French fiction  |2 fast 
650 7 |a Law in literature  |2 fast 
650 7 |a Modernism (Literature)  |2 fast 
650 7 |a Trials in literature  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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