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Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form.Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and S...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven : Leuven University Press,
2009.
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| Colección: | UPCC book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Vande Moortele, Steven. | |
| 245 | 1 | 0 | |a Two-dimensional sonata form : |b form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / |c Steven Vande Moortele. |
| 260 | |b Leuven : |b Leuven University Press, |c 2009. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 207-215) and index. | ||
| 505 | 8 | |a Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works | |
| 520 | |a Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form.Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century.It then offers an in- | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Sonata form. | |
| 650 | 0 | |a Instrumental music |x Analysis, appreciation. | |
| 650 | 6 | |a Forme sonate. | |
| 650 | 6 | |a Musique instrumentale |x Analyse et appréciation. | |
| 650 | 7 | |a Instrumental music |x Analysis, appreciation |2 fast | |
| 650 | 7 | |a Sonata form |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Vande Moortele, Steven. |t Two-dimensional sonata form. |d Leuven : Leuven University Press, 2009 |w (DLC) 2009515203 |
| 830 | 0 | |a UPCC book collections on Project MUSE. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1762968 |z Texto completo |
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1762968 | ||
| 938 | |a Project MUSE |b MUSE |n muse29511 | ||
| 994 | |a 92 |b IZTAP | ||