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The art of music publishing : an entrepreneurial guide to publishing and copyright for the music, film, and media industries.

Do you want to pursue a career and succeed in the lucrative area of music publishing? Music publishing provides real inspiration, a tangible and 'hands on' perspective to the exciting high-risk, high-reward music business. Prepare yourself for a career in music publishing and lean * unders...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gammons, Helen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor & Francis, 2012.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; The Art of Music Publishing: An entrepreneurial guide to publishing and copyright for the music, film and media industries; Copyright; Contents; Introduction
  • How it all began; Preface
  • change brings new opportunity; Acknowledgements; The Art of Music Publishing; CHAPTER 1 Turning music into a business; WHAT IS MUSIC PUBLISHING?; THE A & R PROCESS; INCOME STREAMS; SUMMARY; CHAPTER 2 Understanding copyright; WHAT IS COPYRIGHT?; HOW LONG DOES COPYRIGHT LAST?; MASTERS AND RE-RECORDING RESTRICTIONS; OWNERSHIP OF THE MASTER RECORDING; LYRIC WRITING
  • A LOST ART; SWOT ANALYSIS; EXAMPLE.
  • WORKING WITH MEDIA COMPANIESMORAL RIGHTS; US COPYRIGHT ISSUES; SUMMARY; CHAPTER 3 Managing rights
  • international framework and issues; COLLECTION SOCIETIES; UK PERFORMING AND MECHANICAL RIGHTS SOCIETIES; THE BERNE CONVENTION; COPYRIGHT ISSUES LEADING EUROPEAN DISCUSSION; IMPLEMENTATION OF EU DIRECTIVE
  • UK COPYRIGHT ACT; WIPO; ISP NEWS; CENTRAL LICENSING; INTERNET LICENSING
  • GROWTH OF LEGITIMATE ONLINE LICENSING; CHAPTER 4 The role of the music publisher; HOW DOES THIS HELP, EXACTLY?; HOW A GREAT SONG SURVIVES; WHAT DOES A MUSIC PUBLISHER DO?; CHAPTER 5 Income streams; PERFORMANCE INCOME.
  • HOW IS INCOME GENERATED?DEDUCTIONS; PRS FOR MUSIC
  • MECHANICAL INCOME STREAM FLOW; ACCOUNTING PRACTICES; SYNCHRONIZATION; SHEET MUSIC; CHAPTER 6 Introduction to contracts; CONTRACTUAL LANGUAGE; TYPES OF CONTRACT; SUMMARY; CHAPTER 7 Synchronization; EXPLOITS IN FILM AND TELEVISION; THE ROLE OF THE MUSIC SUPERVISOR; SOME KEY MOVIE TERMS; INDEPENDENT FILM SALES NETWORKS; GREAT MOVIE COMPOSERS; CUE SHEETS; USEFUL FILM BODIES; THE TOP UK AND US ADVERTISING AGENCIES; SUMMARY; CHAPTER 8 Getting a publishing deal; THE UNDISCOVERED COUNTRY; PRODUCT AND PRESENTATION
  • SONGWRITERS; SUMMARY.
  • CHAPTER 9 UK and international trade showsBENEFITS OF LOCAL AND INTERNATIONAL TRADE SHOWS; EXAMPLES OF TRADE SHOWS; SUMMARY; CHAPTER 10 Networking
  • building a sustainable network; WHAT IS NETWORKING?; SOME USEFUL NETWORKING TIPS; SUMMARY; CHAPTER 11 The producer and the song; SAMPLING, LOOPS AND SAMPLERS; CHAPTER 12 Change in the digital space; PRS FOR MUSIC
  • FINANCIAL RESULTS SNAPSHOT OF 2009; GUARDIAN REPORT BY VICTOR KEEGAN; A SNAPSHOT OF THE IFPI REPORT
  • MUSIC INDUSTRY 2010; RECORDED MUSIC SALES 2009; DIGITAL MARKET DEVELOPMENTS; GERD LEONHARD
  • FUTURIST, FATALIST, FANTASIST OR GURU?
  • CHAPTER 13 Purchasing a catalogueWHY IS THE CATALOGUE BEING SOLD OR BOUGHT?; MANAGING RISK; BACKGROUND INFORMATION; QUESTIONS; RETENTION PERIOD; REASONS FOR BUYING A CATALOGUE; POSTCOMPLETION PLAN; SUMMARY; CHAPTER 14 Business and strategic planning; SWOT
  • STRENGTHS, WEAKNESS, OPPORTUNITIES AND THREATS; PEST
  • POLITICAL, ECONOMIC, SOCIAL AND TECHNOLOGICAL; AIMS AND OBJECTIVES; THE MARKETING MIX
  • THE FOUR Ps OF MARKETING; SCENARIO PLANNING; SUMMARY; CHAPTER 15 Corporate social responsibility in the twenty-first century
  • making the case for business responsibility in the creative industries.