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EBOOKCENTRAL_ocn845250112 |
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OCoLC |
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20240329122006.0 |
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130530s2011 xx o 000 0 eng d |
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|a MHW
|b eng
|e pn
|c MHW
|d OCLCO
|d MEAUC
|d OCLCA
|d OCLCQ
|d MERUC
|d ZCU
|d ICG
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCF
|d TKN
|d OCL
|d DKC
|d AU@
|d OCLCQ
|d OCLCO
|d OCL
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 9781611470154
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|a 1611470153
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|a (OCoLC)845250112
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|a PR3091 .I58 2011
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|a 822.3/3
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|a UAMI
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|a Occhiogrosso, Frank.
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|a Shakespeare Closely Read :
|b Written and Performance Texts.
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260 |
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|a Lanham :
|b Fairleigh Dickinson,
|c 2011.
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300 |
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|a 1 online resource (169 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Shakespeare Closely Read is a collection of essays each of which applies the techniques of close reading to one or another of Shakespeare's texts. The essays are united by their commitment to close reading, whatever connection they may also have to other theoretical or methodological approaches.
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|a Acknowledgments; Introduction; PART I; A Special Meaning of "Within"?; "Music Plays and They Dance"; "Post-alone"; Shakespeare's Secret Language, with Specimens from a Commentary; Close Reading, Illustration, and Productive Ambivalence; A Dramatic Function of Caliban's "Be not affeard" Speech in The Tempest; "Mention my name in Verona"; PART II; Close Enough Readings; or Trying to Ascribe the Actor's Part in Analyzing Performance Texts; Reading Morocco: Four Film Versions of The Merchant of Venice; Red Button Shakespeare; Can We/Should We Close Read Performance?; Index.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Dramatic production
|v Congresses.
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600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Stage history
|v Congresses.
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600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Film adaptations
|v Congresses.
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600 |
1 |
7 |
|a Shakespeare, William,
|d 1564-1616
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd
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650 |
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0 |
|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism
|v Congresses.
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650 |
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6 |
|a Théâtre anglais
|y 16e siècle
|x Histoire et critique
|v Congrès.
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650 |
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7 |
|a English drama
|x Early modern and Elizabethan
|2 fast
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650 |
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7 |
|a Film adaptations
|2 fast
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650 |
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7 |
|a Theater
|2 fast
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648 |
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7 |
|a 1500-1600
|2 fast
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655 |
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7 |
|a Conference papers and proceedings
|2 fast
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Brown, John Russell.
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700 |
1 |
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|a Conkie, Rob.
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700 |
1 |
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|a Ewart, Kevin.
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700 |
1 |
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|a Hartley, A. J.
|q (Andrew James)
|1 https://id.oclc.org/worldcat/entity/E39PBJy8vfJHrpGpRgbbJjKcfq
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700 |
1 |
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|a Ichikawa, Mariko.
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700 |
1 |
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|a Mucciolo, John.
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700 |
1 |
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|a Mackinnon, Lachlan.
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700 |
1 |
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|a Sillars, Stuart.
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700 |
1 |
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|a Sohmer, Steve.
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700 |
1 |
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|a Sokolova, Boika.
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758 |
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|i has work:
|a Shakespeare closely read (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGMHXkkCgrHK73jm7xD7Dy
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|z 9781611470147
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1117192
|z Texto completo
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994 |
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|a 92
|b IZTAP
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