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Moving Imagination : Explorations of Gesture and Inner Movement /

To know anything in space (for instance, a line), I must draw it, and thus synthetically bring into being a determinate combination of the given manifold, so that the unity of this act is at the same time the unity of consciousness (as in the concept of a line); and it is through this unity of consc...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Preester, Helena De (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : John Benjamins Publishing Company, [2013]
Colección:Advances in consciousness research ; v. 89.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Moving Imagination :  |b Explorations of Gesture and Inner Movement /  |c edited by Helena De Preester, University College Ghent. 
264 1 |a Amsterdam :  |b John Benjamins Publishing Company,  |c [2013] 
264 4 |c ©2013 
300 |a 1 online resource (vi, 320 pages) 
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490 1 |a Advances in consciousness research,  |x 1381-589X ;  |v v. 89 
504 |a Includes bibliographical references and index. 
520 |a To know anything in space (for instance, a line), I must draw it, and thus synthetically bring into being a determinate combination of the given manifold, so that the unity of this act is at the same time the unity of consciousness (as in the concept of a line); and it is through this unity of consciousness that an object (a determinate space) is first known. Immanuel Kant, Critique of Pure Reason, B 138 (2007). 
588 0 |a Description based on print version record. 
505 8 |a Bodily resonance -- The moving body : gestural recreation of the world in drama -- Movement, gesture and meaning -- Achieved spontaneity and spectator's performative experience -- The digital body in contemporary American cinema -- Embodiment : technologies and musics -- Is gesture knowledge? Musical gestures -- Sound in film as an inner movement -- Body English : kinaesthetic empathy, dance and the art of Len Lye -- The somatic in kinetic sculpture -- Edgar Degas : modelling movement -- Time lines : the temporal dimension of marking -- Styles of observation and embodiment : using drawing to understand Robert Morris' Untitled 3 L-Beams (1965) -- Cy Twombly : gesture, space and writing -- Pre-motor and motor activities in early medieval handwriting -- The neurophenomenology of gesture in the art of Henri Michaux -- Moving without moving -- The "I cannot, but it can" of aesthetic perception. 
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650 0 |a Mind and body. 
650 0 |a Human beings  |x Attitude and movement. 
650 0 |a Arts  |x Psychological aspects. 
650 0 |a Arts audiences  |x Psychology. 
650 6 |a Êtres humains  |x Attitude et mouvement. 
650 6 |a Arts  |x Aspect psychologique. 
650 6 |a Arts  |x Publics  |x Psychologie. 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a Arts audiences  |x Psychology  |2 fast 
650 7 |a Arts  |x Psychological aspects  |2 fast 
650 7 |a Human beings  |x Attitude and movement  |2 fast 
650 7 |a Mind and body  |2 fast 
700 1 |a Preester, Helena De,  |e editor 
758 |i has work:  |a Moving imagination (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFyFgVF8p4yjp9wvPpyvtq  |4 https://id.oclc.org/worldcat/ontology/hasWork 
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830 0 |a Advances in consciousness research ;  |v v. 89. 
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