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The film handbook /
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today's 'digital film' productions. It reflects on how critical analysis' of film underpins practice and story, and how developing an autonomous '...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2013.
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| Colección: | Media practice.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Film language and aestetics. Renaissance of (digital) film
- Developing mise-en-scene
- Directing the actor
- Cinematography: painting with motion
- Sound underpinning image
- Editing: temporality & structure
- Film theory in practice. Reading the screen
- Spectatorship and audience
- Contemporary cinema
- Eisenstein and Bazin: formalism & realism, two modes of practice
- Genre
- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format
- Working with non-professional actors
- The avant-garde, subtext, & symbolism
- Documentary as resistance
- Persistence of vision. screenwriting: from script to screen / John Brice
- Soundtracks: using music in film / Paul Rutter
- Post film: technology and the digital film
- MERGING AND IMMERGING MEDIA: DEVELOPING A PROFESSIONAL SPECIALISM. Post-film: production, distribution and consumption in the digital age
- Mapping a career path.