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EBOOKCENTRAL_ocn843642639 |
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OCoLC |
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20240329122006.0 |
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m o d |
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cr cnu---unuuu |
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130516s2013 njua obq 001 0 eng d |
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|a MHW
|b eng
|e pn
|c MHW
|d OCLCO
|d YDXCP
|d N$T
|d OCLCA
|d UPM
|d OCLCF
|d UKDOC
|d OCLCQ
|d MERUC
|d UUM
|d OCLCQ
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|d OCLCL
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|a 9781136508523
|q (electronic bk.)
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|a 113650852X
|q (electronic bk.)
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|a AU@
|b 000055892929
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|a (OCoLC)843642639
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|a PN1995.9.P7 D42 2013
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|a PER
|x 004010
|2 bisacsh
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0 |
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|a 791.4302/3
|a 791.43023
|a 791.430233
|2 22
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|a UAMI
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1 |
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|a De Valk, Mark.
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1 |
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|a The film handbook /
|c Mark de Valk with Sarah Arnold.
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260 |
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|a Hoboken :
|b Taylor and Francis,
|c 2013.
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300 |
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|a 1 online resource (688 pages) :
|b illustrations.
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Media Practice
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|a Print version record.
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|a Includes bibliographical references and index.
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|a The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today's 'digital film' productions. It reflects on how critical analysis' of film underpins practice and story, and how developing an autonomous 'vision' will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent 'guerrilla' film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professio.
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|a Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- MERGING AND IMMERGING MEDIA: DEVELOPING A PROFESSIONAL SPECIALISM. Post-film: production, distribution and consumption in the digital age -- Mapping a career path.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Motion pictures
|x Production and direction.
|
650 |
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|a Cinéma
|x Production et réalisation.
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650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
|
650 |
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7 |
|a Motion pictures
|x Production and direction
|2 fast
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700 |
1 |
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|a Arnold, Sarah.
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758 |
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|i has work:
|a The film handbook (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCYWmXVd6KXkGDWBPwFkGVC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a De Valk, Mark.
|t Film Handbook.
|d Hoboken : Taylor and Francis, 2013
|z 9780415557603
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830 |
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0 |
|a Media practice.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1186455
|z Texto completo
|
938 |
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