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Routledge Handbook of Indian Cinemas.
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contr...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- From cultural backwardness to the age of imitation: an essay in film history / M. Madhava Prasad
- The Indian new wave / Ira Bhaskar
- 'Bengali' cinema: its making and unmaking / Sharmistha Gooptu
- Assamese cinema: dreams, reality and dichotomies / Manoj Barpujari
- Odia cinema at seventy-five / Shyamhari Chakra
- Marathi cinema: the exile, the factory and fame / Amrit Gangar
- Gujarati cinema: stories of sant, sati shethani and sparks so few / Amrit Gangar
- Matriliny to masculinity: performing modernity and gender in Malayalam cinema / Meena T. Pillai
- Kannada cinema and Princely Mysore / M.K. Raghavendra
- The star-politicians of Tamil Nadu: the origin and emergence / S. Theodore Baskaran
- Beyond the star: Telugu comedy films and realpolitik in Andhra Pradesh / Joe Christopher
- Mapping the invisible world of Bhojpuri cinema and its changing audience / Ratnakar Tripathy
- From Lahore to Bombay ... to Vancouver: the checkered journey of Punjabi cinema / Prabhjot Parmar
- The evolution of representing female sexuality in Hindi cinema 1991-2010 / Shoma A. Chatterji
- Queer times in Bollywood / Rama Srinivasan
- The scale of diasporic cinema: negotiating national and transnational cultural citizenship / Jigna Desai
- The shifting terrains of nationalism and patriotism in Indian cinemas / Vijay Devadas
- Digitizing the national imaginary: technology and hybridization in Hindi film songs of the post- liberalization period / Aniruddha Dutta
- Trends in Hindi film music with special reference to socioeconomic and political changes / Pankaj Rag
- Music in mainstream Indian cinema / Premendra Mazumder
- Scriptwriting: in and out of the box / Anil Zankar
- The frictions of science and cinema in India / Raminder Kaur
- Film censorship in India: deconstructing an incongruity / Someswar Bhowmik
- Advertising and marketing of Indian cinema / Lynne Ciochetto
- Film distribution: the changing landscape / Ravi Gupta
- Corporatization and the Hindi film industry / Tejaswini Ganti
- Indian cinemas: acknowledging property rights / Amir Ullah Khan
- Foundations, movements and dissonant images: documentary film and its ambivalent relations to the nation state / Nicole Wolf
- Active audiences and the experience of cinema / Lakshmi Srinivas
- Hindi film audiences outside South Asia / Shakuntala Banaji
- Cinema as social space: the case of the multiplex / Adrian Athique
- Virtual darshan: social networking and virtual communities in the Hindi film context / Steven Baker.