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Routledge Handbook of Indian Cinemas.
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contr...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Routledge Handbook of Indian Cinemas. |
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| 520 | |a India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey.Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relations. | ||
| 505 | 0 | |a From cultural backwardness to the age of imitation: an essay in film history / M. Madhava Prasad -- The Indian new wave / Ira Bhaskar -- 'Bengali' cinema: its making and unmaking / Sharmistha Gooptu -- Assamese cinema: dreams, reality and dichotomies / Manoj Barpujari -- Odia cinema at seventy-five / Shyamhari Chakra -- Marathi cinema: the exile, the factory and fame / Amrit Gangar -- Gujarati cinema: stories of sant, sati shethani and sparks so few / Amrit Gangar -- Matriliny to masculinity: performing modernity and gender in Malayalam cinema / Meena T. Pillai -- Kannada cinema and Princely Mysore / M.K. Raghavendra -- The star-politicians of Tamil Nadu: the origin and emergence / S. Theodore Baskaran -- Beyond the star: Telugu comedy films and realpolitik in Andhra Pradesh / Joe Christopher -- Mapping the invisible world of Bhojpuri cinema and its changing audience / Ratnakar Tripathy -- From Lahore to Bombay ... to Vancouver: the checkered journey of Punjabi cinema / Prabhjot Parmar -- The evolution of representing female sexuality in Hindi cinema 1991-2010 / Shoma A. Chatterji -- Queer times in Bollywood / Rama Srinivasan -- The scale of diasporic cinema: negotiating national and transnational cultural citizenship / Jigna Desai -- The shifting terrains of nationalism and patriotism in Indian cinemas / Vijay Devadas -- Digitizing the national imaginary: technology and hybridization in Hindi film songs of the post- liberalization period / Aniruddha Dutta -- Trends in Hindi film music with special reference to socioeconomic and political changes / Pankaj Rag -- Music in mainstream Indian cinema / Premendra Mazumder -- Scriptwriting: in and out of the box / Anil Zankar -- The frictions of science and cinema in India / Raminder Kaur -- Film censorship in India: deconstructing an incongruity / Someswar Bhowmik -- Advertising and marketing of Indian cinema / Lynne Ciochetto -- Film distribution: the changing landscape / Ravi Gupta -- Corporatization and the Hindi film industry / Tejaswini Ganti -- Indian cinemas: acknowledging property rights / Amir Ullah Khan -- Foundations, movements and dissonant images: documentary film and its ambivalent relations to the nation state / Nicole Wolf -- Active audiences and the experience of cinema / Lakshmi Srinivas -- Hindi film audiences outside South Asia / Shakuntala Banaji -- Cinema as social space: the case of the multiplex / Adrian Athique -- Virtual darshan: social networking and virtual communities in the Hindi film context / Steven Baker. | |
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| 700 | 1 | |a Dissanayake, Wimal. | |
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| 776 | 0 | 8 | |i Print version: |a Gokulsing, K. Moti. |t Routledge Handbook of Indian Cinemas. |d Hoboken : Taylor and Francis, ©2013 |z 9780415677745 |
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