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McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History : Museum Pieces: Toward the Indigenization of Canadian Museums.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal : Palo Alto :
McGill-Queen's University Press, Ebrary, Incorporated [distributor]
Jan. 2011 ;
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| Colección: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ""Cover""; ""Title""; ""Copyright""; ""Contents""; ""Illustrations""; ""Acknowledgments""; ""A Note on Names and Terms""; ""A Preface � by Way of an Introduction""; ""PART ONE: CONFRO NTATION AND CONTESTATION""; ""Undoing the Settler Museum: Showing Off and Showing Up""; ""1 ""Arrow of Truth"": The Indians of Canada Pavilion at Expo 67 with Sherry Brydon""; ""2 Moment of Truth: The Spirit Sings asCritical Event and the Exhibition Inside It""; ""3 APEC at the Museum of Anthropology:The Politics of Site and the Poetics of Sight Bite""; ""PART TWO: RE-DISCIPLINING THE MUSEUM""
- ""Exclusions and Inclusions: Authenticity, Sacrality, and Possession""""4 How Museums Marginalize:Naming Domains of Inclusion and Exclusion""; ""5 Fielding Culture: Dialogues between Art History and Anthropology""; ""6 Disappearing Acts: Traditions ofExposure, Traditions of Enclosure, and the Sacrality of Onkwehonwe Medicine Masks""; ""7 The Global Travels of a Mi'kmaq Coat:Colonial Legacies, Repatriation, and the New Cosmopolitanism""; ""PART THREE: WOR KING IT OUT""; ""Indigenizing Exhibitions: Experiments and Practices""
- ""8 Making Space: First Nations Artists, theNational Museums, and the Columbus Quincentennial (1992)""""9 Cancelling White Noise:Gerald McMaster's Savage Graces (1994)""; ""10 Threads of the Land at theCanadian Museum of Civilization (1995)""; ""11 Toward a Dialogic Paradigm:New Models of Collaborative Curatorial Practice""; ""12 Inside-Out and Outside-In: Re-presenting Native North America atthe Canadian Museum of Civilization andthe National Museum of the American Indian (2003�2004)""; ""PART FOUR: THE SECOND MUSEUM AGE""; ""Working with Hybridity""
- ""13 From Harmony to Antiphony:The Indigenous Presence in a (Future) Portrait Gallery of Canada""""14 Modes of Inclusion: Indigenous Art atthe National Gallery of Canada and the Art Gallery of Ontario""; ""15 The Digital (R)Evolution of Museum-Based Research""; ""16 ""Learning to Feed off Controversies"": Meeting the Challenges of Translation and Recovery in Canadian Museums""; ""Notes""; ""Index""; ""A ""; ""B ""; ""C ""; ""D ""; ""E ""; ""F ""; ""G ""; ""H ""; ""I ""; ""J ""; ""K ""; ""L ""; ""M ""; ""N ""; ""O ""; ""P ""; ""Q ""; ""R ""; ""S ""; ""T ""; ""U ""; ""V ""; ""W ""; ""Y ""