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Mind Models.
This new edition of Mind Models reintroduces and renews a classic work on 20th century composition, one that has remained relevant for over a quarter century -- and should remain a central reading for decades to come.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2013.
|
| Edición: | 2nd ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn841909792 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 130418s2013 xx o 000 0 eng d | ||
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| 020 | |a 9781136091780 | ||
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| 020 | |a 1299460178 | ||
| 020 | |a 9781299460171 | ||
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| 050 | 4 | |a ML197 .R5 | |
| 082 | 0 | 4 | |a 780.904 |a 780/.9/04 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Reynolds, Roger. | |
| 245 | 1 | 0 | |a Mind Models. |
| 250 | |a 2nd ed. | ||
| 260 | |a Hoboken : |b Taylor and Francis, |c 2013. | ||
| 300 | |a 1 online resource (360 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a This new edition of Mind Models reintroduces and renews a classic work on 20th century composition, one that has remained relevant for over a quarter century -- and should remain a central reading for decades to come. | ||
| 505 | 0 | |a Rates of change. Permanence ; Acceleration and pace ; Diversity ; Capability ; Acceptance of context ; New models -- The states of art. Commerce and excellence ; Subgroups in society ; The general event -- The public and private realms. Alternate forms of art ; Alternate approaches to art -- Sound. Natural sound and its limits ; Synthesis ; The last dimension: space -- Time. Short intervals, duration, and temporal perspective ; Experimental approaches to measurement ; Some pitfalls ; Altered time frames -- Notation. The creative continuum ; The function of notation ; Good notational practice -- Morphology in music. Computers: the necessity of foresight ; The implications of abundance ; Changing views of experience. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music |y 21st century |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 6 | |a Musique |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Mind models (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGmPYJprkMGdQD3TG9qhHC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |z 9780415974288 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1166391 |z Texto completo |
| 994 | |a 92 |b IZTAP | ||