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Placing poetry /

The essays in this volume present a thorough re-evaluation of the idea of place for the twenty-first century, linking across theoretical interests in space and spatialisation and in motion and mobility. 'Placing' becomes an active process that happens in different parts of the world, and t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Davidson, Ian, 1957-, Skoulding, Zoë
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; New York : Rodopi, 2013.
Colección:Spatial practices ; 15.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Notes on Contributors; Introduction; Just Looking; List of Illustrations; Fig. 1 'Thaloc, No. 21' (1969) by Álvaro de Sá; Fig. 2 '12 X 9' by Álvaro de Sá; Fig. 3 The Brougham Triptych (Carlisle Cathedral); Fig. 4 14th-century replica of the 'Hodegetria' icon; Fig. 5 'Carnival' (1947) Kurt Schwitters; Placing the Poem in Translation; Taking Place: Deixis, Collaborationand the Gender Politics of the Aesthetic; Lisa Samuels: Unknown Cities; Open Field: Reading Field as Place and Poetics.
  • In/human Place: The Poetry of John BarnieThe Movements of Yellow-Rumped Thornbills:Twittering Machines; Lyric Encounters with Other Places:Juliana Spahr's this connection of everyone with lungsand Robert Minhinnick's 'An Isotope Dreaming'; Affording Entrance; Fig. 6 Paper sign, 'escritorio público'; Fig. 7 Hofer types letters in Union Square; Fig. 8 Hofer working in Los Angeles; Fig. 9 Buuck and the BARGE performer frame a 'counter postcard'; Fig. 10 'Pre-enactment': environmental clean-up; Fig. 11 Plant life in toxic dirt.
  • Poets as Experimental Geographers: Mark Nowak, Kaia Sandand the Re-composition of Political-Historical SpaceFig. 12 Bench on Cornmarket Street in Oxford, England; Fig. 13 Mark Nowak reading at the 2010 Split ThisRock Poetry Festival; Fig. 14 Performance at Davis & Elkins College; Fig. 15 Kaia Sand rings the chimes on the Rememberto Wave poetry walk; Fig. 16 Remember to Wave poetry walk map; Fig. 17 Sand reads in front of toxic slough during the poetry walk, 10 January 2009; Ethnopoetics and the Performativity of Place:Jerome Rothenberg and 'That Dada Strain'
  • Fig. 18 First sandpainting of the Navajo bead chantby MiguelitoFig. 19 Dada portrait of Berenice Abbott by Baroness Elsa von Freytag-Loringhoven (c. 1922-26); Fig. 20 lndestructible Object. Paris, 1964 (replica of destroyed original of 1923 titled Object to be Destroyed); Zeta Landscape: Poetry, Place, Pastoral; Index.