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Language and cinema /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
The Hague :
Mouton,
1974.
|
| Colección: | Approaches to semiotics ;
26. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- 1. Within the Cinema : The Filmic Fact
- 2. Within the Filmic Fact: The Cinema
- 2.1. �Cinema� in another sense
- 2.2. From material to codical homogeneity: a premature conclusion
- 2.3. The same code in several �language systems�; several codes in the same �language system�
- 2.4. Cinematic specificity, cinematic language system (I)
- 2.5. Cinematic-filmic, cinematic-non-filmic, filmic-non-cinematic
- 3. Film in an Absolute Sense
- 3.1. �The Film�/�The Cinema�
- 3.2. The zone common to the film and cinema. Its limits
- 4. Plurality of Cinematic Codes4.1. General and particular codes
- 4.2. Plurality along two axes
- 4.3. �Cinematic language system� (II)
- 5. From Code to System; Message to Text
- 5.1. �The study of films�: two different approaches
- 5.2. Code/singular system
- 5.3. General and particular codes (II)
- 5.4. Terminological points
- 5.5. �Structure of the message� or structure of the text?
- 6. Textual Systems
- 6.1. The film as a unique totality
- 6.2. The system of the film as displacement
- 6.3. Cinematic and extra-cinematic: from duality to mixture6.4. Readings: several textual systems for a single text
- 7. Textuality and �Singularity�
- 7.1. Filmic texts smaller or larger than a film
- 7.2. Group of films and class of films
- 7.3. From �particular code� to sub-code (III)
- 7.4. The pansemic tendency of certain figures
- 7.5. Code/sub-code (IV)
- 7.6. The systemic and the textual
- 7.7. Textuality and generality
- 7.8. �Film� in the absolute sense (II)
- 8. Paradigmatic and Syntagmatic
- 8.1. The syntagmatic and the textual
- 8.2. The syntagmatic and the paradigmatic syntagmatics and paradigmatics
- 8.3. Degrees of preexistence of the �object studied�
- 8.4. Circularity of paradigmatics and syntagmatics
- 8.5. Syntagmatic and consecutive
- 8.6. Paradigmatic and syntagmatic in textual systems
- 9. The Problem of Distinctive Units
- 9.1. Several types of minimal units in the same text
- 9.2. Several types of cinematic units in the film
- 9.3. The determination of minimal units and the overall study of grammar
- 9.4. Several types of extra-cinematic units in the film
- 9.5. Distinctive units: diversity of size9.6. Distinctive units: diversity of form
- 9.7. Critique of the notion �cinematic sign�
- 10. �Specific/Non-Specific�: Relativity of the Classification Used
- 10.1. �Form/material/substance� according to Hjelmslev
- 10.2. Semiotic interference between language systems
- 10.3. Distinctive features of the material of the signifier
- 10.4. The intermixing of specificities: Multiple specificity, degrees of specificity, modes of specificity
- 10.5 Cinema and television