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Language and cinema /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
The Hague :
Mouton,
1974.
|
| Colección: | Approaches to semiotics ;
26. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 037 | |n Title subscribed to via ProQuest Academic Complete | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Metz, Christian. | |
| 240 | 1 | 0 | |a Langage et cinéma. |l English |
| 245 | 1 | 0 | |a Language and cinema / |c by Christian Metz ; translated by Donna Jean Umiker-Sebeok. |
| 260 | |a The Hague : |b Mouton, |c 1974. | ||
| 300 | |a 1 online resource (303 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Approaches to semiotics ; |v 26 | |
| 500 | |a Title from PDF title page (viewed on Apr 23, 2013). | ||
| 500 | |a Translation of: Langage et cinéma. | ||
| 504 | |a Includes bibliographical reference and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | |a 1. Within the Cinema : The Filmic Fact -- 2. Within the Filmic Fact: The Cinema -- 2.1. �Cinema� in another sense -- 2.2. From material to codical homogeneity: a premature conclusion -- 2.3. The same code in several �language systems�; several codes in the same �language system� -- 2.4. Cinematic specificity, cinematic language system (I) -- 2.5. Cinematic-filmic, cinematic-non-filmic, filmic-non-cinematic -- 3. Film in an Absolute Sense -- 3.1. �The Film�/�The Cinema� -- 3.2. The zone common to the film and cinema. Its limits | |
| 505 | 8 | |a 4. Plurality of Cinematic Codes4.1. General and particular codes -- 4.2. Plurality along two axes -- 4.3. �Cinematic language system� (II) -- 5. From Code to System; Message to Text -- 5.1. �The study of films�: two different approaches -- 5.2. Code/singular system -- 5.3. General and particular codes (II) -- 5.4. Terminological points -- 5.5. �Structure of the message� or structure of the text? -- 6. Textual Systems -- 6.1. The film as a unique totality -- 6.2. The system of the film as displacement | |
| 505 | 8 | |a 6.3. Cinematic and extra-cinematic: from duality to mixture6.4. Readings: several textual systems for a single text -- 7. Textuality and �Singularity� -- 7.1. Filmic texts smaller or larger than a film -- 7.2. Group of films and class of films -- 7.3. From �particular code� to sub-code (III) -- 7.4. The pansemic tendency of certain figures -- 7.5. Code/sub-code (IV) -- 7.6. The systemic and the textual -- 7.7. Textuality and generality -- 7.8. �Film� in the absolute sense (II) -- 8. Paradigmatic and Syntagmatic -- 8.1. The syntagmatic and the textual | |
| 505 | 8 | |a 8.2. The syntagmatic and the paradigmatic syntagmatics and paradigmatics -- 8.3. Degrees of preexistence of the �object studied� -- 8.4. Circularity of paradigmatics and syntagmatics -- 8.5. Syntagmatic and consecutive -- 8.6. Paradigmatic and syntagmatic in textual systems -- 9. The Problem of Distinctive Units -- 9.1. Several types of minimal units in the same text -- 9.2. Several types of cinematic units in the film -- 9.3. The determination of minimal units and the overall study of grammar -- 9.4. Several types of extra-cinematic units in the film | |
| 505 | 8 | |a 9.5. Distinctive units: diversity of size9.6. Distinctive units: diversity of form -- 9.7. Critique of the notion �cinematic sign� -- 10. �Specific/Non-Specific�: Relativity of the Classification Used -- 10.1. �Form/material/substance� according to Hjelmslev -- 10.2. Semiotic interference between language systems -- 10.3. Distinctive features of the material of the signifier -- 10.4. The intermixing of specificities: Multiple specificity, degrees of specificity, modes of specificity -- 10.5 Cinema and television | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures and language. | |
| 650 | 0 | |a Language and languages |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 6 | |a Langage et langues |x Philosophie. | |
| 650 | 6 | |a Cinéma et langage. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Language and languages |x Philosophy |2 fast | |
| 650 | 7 | |a Motion pictures and language |2 fast | |
| 650 | 7 | |a Sémiotique et cinéma. |2 ram | |
| 650 | 7 | |a Langage cinématographique. |2 ram | |
| 650 | 7 | |a Cinéma |x Philosophie. |2 ram | |
| 700 | 1 | |a Umiker-Sebeok, Donna Jean. | |
| 758 | |i has work: |a Language and cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH4k7xryKBcgTR7BYvdQpX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Online version: |a Metz, Christian. |s Langage et cinéma. English. |t Language and cinema. |d The Hague, Mouton, 1974 |w (OCoLC)574747159 |
| 830 | 0 | |a Approaches to semiotics ; |v 26. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3040567 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL3040567 | ||
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| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis27170036 | ||
| 938 | |a YBP Library Services |b YANK |n 9592005 | ||
| 938 | |a Internet Archive |b INAR |n languagecinema0000metz | ||
| 994 | |a 92 |b IZTAP | ||