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The Cinema Makers : Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s.
The Cinema Makers investigates how cinema spectators in south-eastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema 'events', writing about film and making films themselves. Drawing on a corpus of interview...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960s; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO.
- 2.3. Transnationality: interaction and struggle vis-à-vis official strategies2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960s; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960s; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war.
- 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and artInterviews Cited; References; Back Cover.