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Translation in Theatre and Performance.
This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subj...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Taylor and Francis,
2013.
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| Colección: | Routledge advances in theatre and performance studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bigliazzi, Silvia. | |
| 245 | 1 | 0 | |a Translation in Theatre and Performance. |
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| 490 | 1 | |a Routledge Advances in Theatre & Performance Studies | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Theatre Translation in Performance; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction; 1 Transnational, Multilingual, and Post-dramatic: Rethinking the Location of Translation in Contemporary Theatre; 2 Masks, Music Scores, and Hourglasses: Rethinking Performability through Metaphors; 3 Semantics and Syntax in Translating Shakespeare; 4 Verse Translation for the Theatre: A Spanish Example; 5 Performing Intertextuality in Translating Rewrites; 6 From the Peninsula Westward: A Journey among Translations. | |
| 505 | 8 | |a 7 Exploring a Bilingual Aesthetics through Translation in Performance8 Beckett, 'Thou Art Translated'; 9 The Pirandellian mise-en-scène and the Vanishing Translation; 10 Translator and Director: At Daggers Drawn?; 11 Dramatic Text / Literary Translation / Staging; 12 Translating for the Audience: Plautus's Captivi by Accademici Intronati (Siena 1530) and Goldoni's Adaptation of Voltaire's L'Écossaise (Venezia 1761); 13 "To act, to do, to perform": Franz Heufeld's and Friedrich Ludwig Schröder's Hamlet-Adaptations for the German Stage. | |
| 505 | 8 | |a 14 "For the Newer Stage" and "For Our Contemporary Emotion": Suggestion and Emotion in Hofmannsthal's Drama Translations15 Nogami Toyoichirō's Noh Translation Theories and the Primacy of Performance; 16 Transforming Shakespeare into a Kabuki Pièce for the Modern Audience: Ninagawa's Twelfth Night; Contributors; Index. | |
| 520 | |a This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational ac. | ||
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| 650 | 0 | |a Drama |x Translating. | |
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| 650 | 7 | |a Drama |x Translating |2 fast | |
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| 700 | 1 | |a Kofler, Peter. | |
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| 830 | 0 | |a Routledge advances in theatre and performance studies. | |
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