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Post-revolution nonfiction film : building the Soviet and Cuban nations /
In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. In this book, the author examines nonfiction film and nation building to better understand documentary film as a tool used by the state to cr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington ; Indianapolis :
Indiana University Press,
[2013]
|
| Colección: | New directions in national cinemas.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Malitsky, Joshua, |e author. | |
| 245 | 1 | 0 | |a Post-revolution nonfiction film : |b building the Soviet and Cuban nations / |c Joshua Malitsky. |
| 264 | 1 | |a Bloomington ; |a Indianapolis : |b Indiana University Press, |c [2013] | |
| 264 | 4 | |c Ã2013 | |
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| 490 | 1 | |a New directions in national cinemas | |
| 504 | |a Includes bibliographical references (pages [217]-258) and index. | ||
| 505 | 0 | |a Introduction : revolutionary rupture and national stability -- Kino-nedelia, early documentary, and the performance of a new collective, 1917-1921 -- A cinema looking for people : the individual and the collective in immediate post-revolutionary Cuban nonfiction film -- The dialectics of thought and vision in the films of Dziga Vertov, 1922-1927 -- (Non)alignments and the new revolutionary man -- Esfir Shub, factography, and the new documentary historiography -- The object of revolutionary history : Santiago Alvarez's commemorative newsreels and chronicle documentaries, 1972-1974. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. In this book, the author examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, the author demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
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| 650 | 0 | |a Documentary films |x Political aspects |z Soviet Union. | |
| 650 | 0 | |a Documentary films |x Political aspects |z Cuba. | |
| 650 | 6 | |a Documentaires |x Aspect politique |z URSS. | |
| 650 | 6 | |a Documentaires |x Aspect politique |z Cuba. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Documentary films |x Political aspects |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Malitsky, Joshua. |t Post-revolution nonfiction film. |d Bloomington : Indiana University Press, 2013 |z 9780253007643 |w (DLC) 2012037385 |w (OCoLC)811729100 |
| 830 | 0 | |a New directions in national cinemas. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1144289 |z Texto completo |
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