The cinema and its shadow : race and technology in early cinema /

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Focusing on American cinema, this title argues that race has defined and supplemented the cinematic apparatus since the earliest motion pictures, and especially at times of transition and technological vulnerability. In particular, the book explores how racialised bodies and the rhetoric of race dif...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Maurice, Alice
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, [2013]
Temas:
Minorities in motion pictures.
Race in motion pictures.
Motion picture industry > Technological innovations.
Minorités au cinéma.
Race au cinéma.
Cinéma > Industrie > Innovations.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
Minorities in motion pictures
Motion picture industry > Technological innovations
Race in motion pictures
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : embodying cinema
  • Performing body, performing image : race and the boundaries of early cinematic narrative
  • Face, race, and screen : close-ups and the transition to the feature film
  • Recasting shadows : race, image, and audience
  • "Cinema at its source" : synchronizing race and sound in the early talkies
  • Conclusion : red, white, and blue : digital cinema, race, and avatar.

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