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The cinema and its shadow : race and technology in early cinema /
Focusing on American cinema, this title argues that race has defined and supplemented the cinematic apparatus since the earliest motion pictures, and especially at times of transition and technological vulnerability. In particular, the book explores how racialised bodies and the rhetoric of race dif...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
[2013]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Maurice, Alice. | |
| 245 | 1 | 4 | |a The cinema and its shadow : |b race and technology in early cinema / |c Alice Maurice. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [2013] | |
| 300 | |a 1 online resource (xi, 268 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes filmography. | ||
| 504 | |a Includes bibliographical references, filmography and index. | ||
| 505 | 0 | |a Introduction : embodying cinema -- Performing body, performing image : race and the boundaries of early cinematic narrative -- Face, race, and screen : close-ups and the transition to the feature film -- Recasting shadows : race, image, and audience -- "Cinema at its source" : synchronizing race and sound in the early talkies -- Conclusion : red, white, and blue : digital cinema, race, and avatar. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Focusing on American cinema, this title argues that race has defined and supplemented the cinematic apparatus since the earliest motion pictures, and especially at times of transition and technological vulnerability. In particular, the book explores how racialised bodies and the rhetoric of race difference became central to the working out of specifically cinematic problems: the problems of the stationary camera, of developing narrative form, of realism, of synchronising image and sound, and, perhaps most fundamentally, of the absent or "immaterial" image - the cinema's "shadow." | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Minorities in motion pictures. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Motion picture industry |x Technological innovations. | |
| 650 | 6 | |a Minorités au cinéma. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Cinéma |x Industrie |x Innovations. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Minorities in motion pictures |2 fast | |
| 650 | 7 | |a Motion picture industry |x Technological innovations |2 fast | |
| 650 | 7 | |a Race in motion pictures |2 fast | |
| 758 | |i has work: |a The cinema and its shadow (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFC4c7BqcjQ7rJvpQdDtjy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Maurice, Alice. |t Cinema and its shadow. |d Minneapolis : University of Minnesota Press, [2013] |z 9780816678044 |w (DLC) 2012043821 |w (OCoLC)816563784 |
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