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Killer tapes and shattered screens : video spectatorship from VHS to file sharing /
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2013.
|
| Colección: | UPCC book collections on Project MUSE. Film, Theater and Performing Arts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Benson-Allott, Caetlin Anne, |e author. | |
| 245 | 1 | 0 | |a Killer tapes and shattered screens : |b video spectatorship from VHS to file sharing / |c Caetlin Benson-Allott. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2013. | |
| 300 | |a 1 online resource (xiii, 297 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: opening up to home video -- Distributing The dead: George A. Romero and the evolution of the video spectator -- Addressing the "new flesh": videodrome's format war -- Reprotechnophobia: putting an end to analog abjection with the ring -- Going, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship -- Paranormal spectatorship: faux footage horror and the P2P spectator -- Conclusion: power play. | |
| 520 | |a Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and. | ||
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| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Technology in motion pictures. | |
| 650 | 0 | |a Cinematography |x Technological innovations. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Motion picture audiences. | |
| 650 | 0 | |a Video recordings |x Production and direction |x Data processing. | |
| 650 | 0 | |a Digital video |x Production and direction |x Data processing. | |
| 650 | 0 | |a Video recordings industry. | |
| 650 | 6 | |a Technologie au cinéma. | |
| 650 | 6 | |a Cinéma |x Innovations. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |x Publics. | |
| 650 | 6 | |a Vidéo |x Production et réalisation |x Informatique. | |
| 650 | 6 | |a Vidéo |x Industrie. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Cinematography |x Technological innovations |2 fast | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 7 | |a Technology in motion pictures |2 fast | |
| 650 | 7 | |a Video recordings industry |2 fast | |
| 650 | 7 | |a Video recordings |x Production and direction |x Data processing |2 fast | |
| 655 | 7 | |a Motion pictures |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Motion pictures. |2 lcgft | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 758 | |i has work: |a Killer tapes and shattered screens (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFBDQWWyw8grcrFf7XCytX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Benson-Allott, Caetlin Anne. |t Killer tapes and shattered screens |z 9780520275102 |w (DLC) 2012038612 |w (OCoLC)818734523 |
| 830 | 0 | |a UPCC book collections on Project MUSE. |p Film, Theater and Performing Arts. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1157661 |z Texto completo |
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