Native recognition : Indigenous cinema and the western /

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This book argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hearne, Joanna
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : SUNY Press, ©2012.
Colección:SUNY series, horizons of cinema.
Temas:
Indians in motion pictures.
Indigenous films > United States.
Western films > United States.
Peuples autochtones au cinéma.
Films autochtones > États-Unis.
Westerns > États-Unis.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
Indians in motion pictures
Indigenous films
Western films
United States
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Reframing the western imaginary: James Young Deer, Lillian St. Cyr, and the "squaw man" Indian dramas
  • "Strictly American cinemas": social protest in The vanishing American, Redskin, and Ramona
  • "As if I were lost and finally found": repatriation and visual continuity in Imagining Indians and The return of Navajo boy
  • Imagining the reservation in House made of dawn and Billy Jack
  • "Indians watching Indians on TV": native spectatorship and the politics of recognition in Skins and Smoke signals.

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