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From Within the Frame : Storytelling in African-American Studies.

The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the ""frame tale""-...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ashe, Bertram D.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor and Francis, 2013.
Colección:Literary criticism and cultural theory.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a From Within the Frame :  |b Storytelling in African-American Studies. 
260 |a Hoboken :  |b Taylor and Francis,  |c 2013. 
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505 0 |a Cover; FROM WITHIN THE FRAME: Storytelling in African-American Fiction; Copyright; Contents; Acknowledgments; Introduction; CHAPTER 1 ""A little personal attention"": Storytelling and the Black Audience in Charles W. Chesnutt's The Conjure Woman; CHAPTER 2 ''Ah don't mean to bother wid tellin' 'em nothin""': Zora Neale Hurston's Critique of the Storytelling Aesthetic in Their Eyes Were Watching God; CHAPTER 3 Listening to the Blues: Ralph Ellison's Trueblood Episode in Inviszole Man. 
505 8 |a CHAPTER 4 The Best Possible Returns: Storytelling and Gender Relations in James Alan McPherson's The Story of a ScarCHAPTER 5 From Within the Frame: Narrative Negotiations with the Black Aesthetic in Toni Cade Bambara's My Man Bovanne -- CHAPTER 6 Would she have believed any of it?: Interrogating the Storytelling Motive in John Edgar Wideman's Doc's Story -- Notes; Bibliography; Index. 
520 |a The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the ""frame tale""--An inside-the-text storyteller telling a tale to an inside-the-text listener-with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a ""fra. 
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650 0 |a American fiction  |x African American authors  |x History and criticism. 
650 0 |a American fiction  |y 20th century  |x History and criticism. 
650 0 |a African Americans  |x Intellectual life  |y 20th century. 
650 0 |a Frame-stories  |x History and criticism. 
650 0 |a African Americans in literature. 
650 0 |a Storytelling in literature. 
650 6 |a Roman américain  |x Auteurs noirs américains  |x Histoire et critique. 
650 6 |a Roman américain  |y 20e siècle  |x Histoire et critique. 
650 6 |a Noirs américains  |x Vie intellectuelle  |y 20e siècle. 
650 6 |a Récits enchâssés  |x Histoire et critique. 
650 6 |a Noirs américains dans la littérature. 
650 6 |a Art de conter dans la littérature. 
650 7 |a African Americans in literature  |2 fast 
650 7 |a African Americans  |x Intellectual life  |2 fast 
650 7 |a American fiction  |2 fast 
650 7 |a American fiction  |x African American authors  |2 fast 
650 7 |a Frame-stories  |2 fast 
650 7 |a Storytelling in literature  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Ashe, Bertram D.  |t From Within the Frame : Storytelling in African-American Studies.  |d Hoboken : Taylor and Francis, ©2013  |z 9780415939546 
830 0 |a Literary criticism and cultural theory. 
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