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Composing Ambiguity : the Early Music of Morton Feldman.
Alistair Noble reveals key aspects of Morton Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of s...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham :
Ashgate Pub.,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 008 | 130316s2013 xx o 000 0 eng d | ||
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| 020 | |a 9781409451655 | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Noble, Alistair. | |
| 245 | 1 | 0 | |a Composing Ambiguity : |b the Early Music of Morton Feldman. |
| 260 | |a Farnham : |b Ashgate Pub., |c 2013. | ||
| 300 | |a 1 online resource (228 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Contents; List of Figures and Tables; Acknowledgements; 1 Listening to Process, Playing the System; 2 'to create music as if on a canvas': Intermission 5 (1952); 3 Piano Piece 1952: 'a discipline of vagueness'; 4 Intermission 6 (1953): 'the outlines of becoming'; 5 'Primitive Designs': Hearing and Thinking through Intersection 3; 6 Playing Feldman; Bibliography; Index. | |
| 520 | |a Alistair Noble reveals key aspects of Morton Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Through close reading of several important works, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Indeed, much of the language developed by Feldman in this period was still in use ev. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Composition (Music) | |
| 650 | 0 | |a Feldman, Morton |x 1926-1987 |x Criticism and interpretation. | |
| 650 | 6 | |a Composition (Musique) | |
| 650 | 7 | |a Composition (Music) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Composing ambiguity (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcM9j7JR9Q9h8bCk7fxwC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Noble, Alistair. |t Composing Ambiguity : The Early Music of Morton Feldman. |d Farnham : Ashgate Publishing Ltd, ©2013 |z 9781409451648 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1139930 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1139930 | ||
| 994 | |a 92 |b IZTAP | ||