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|a Kassabian, Anahid.
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|a Ubiquitous Listening :
|b Affect, Attention, and Distributed Subjectivity /
|c Anahid Kassabian.
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|a Berkerley :
|b University of California Press,
|c 2013.
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|a 1 online resource (184 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a Fletcher Jones Foundation humanities imprint
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|a Print version record.
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|a Cover; Title; Copyright; Contents; Acknowledgements; Introduction; 1. Ubiquitous Listening; 2. Listening to Video Art and the Problem of Too Many Homelands; 3. ""BOOM!"" Is the Next Big Thing; 4. Musicals Hit the Small Screen; 5. Improvising Diasporan Identities: Armenian Jazz; 6. Would You Like Some World Music with Your Latte?; Conclusion; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W.
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|a How does the constant presence of music in modern life-on iPods, in shops and elevators, on television-affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In Ubiquitous Listening, Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues for a new examination of the music we do not normally hear (and by implication, that we do), one that examines the way it is used as a marketin.
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|a Includes bibliographical references and index.
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546 |
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Music
|x Philosophy and aesthetics.
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|a Listening.
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|a Sound.
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|a Musique
|x Philosophie et esthétique.
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|a Écoute (Psychologie)
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|a MUSIC
|x Instruction & Study
|x Appreciation.
|2 bisacsh
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|a MUSIC
|x General.
|2 bisacsh
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|a Listening
|2 fast
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|a Music
|x Philosophy and aesthetics
|2 fast
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|a Sound
|2 fast
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|a art.
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|a artists.
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|a background noise.
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|a clever insight.
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|a critical theory.
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|a cultural hybridization.
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|a digital art.
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|a digital music.
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|a engage with music.
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|a engaging.
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|a for reference.
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|a listening.
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|a lively.
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|a marketing tools.
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|a media studies.
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|a modern life.
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|a mood modulation.
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|a music and sound.
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|a music appreciation.
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|a music.
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|a musical moments.
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|a musical thought.
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|a musicology.
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|a passive listening.
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|a performing arts.
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|a popular music.
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|a sonic experiences.
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|a sonic tourism.
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|a sound studies.
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|a sound theory.
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|a sound.
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|a white noise.
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|i has work:
|a Ubiquitous Listening (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH8pYkQpwChYrxMmQmt4YP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Kassabian, Anahid.
|t Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity.
|d Berkerley : University of California Press, ©2013
|z 9780520275157
|
830 |
|
0 |
|a Fletcher Jones Foundation humanities imprint.
|
856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1143403
|z Texto completo
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