Tabla de Contenidos:
  • Introduction
  • The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo
  • Filmmakers into film workers: Peronism, dictatorship, and the film industry
  • Reimagining the left. The scene and the city: coded landscapes and collective memory in transition
  • Experience, representation, and reproduction: displacement and El Sur de Solanas
  • The mediated subject. Documentalismo: political filmmaking and social movements
  • Postmodern exigencies: new media, memory, and critical spaces
  • Conclusion.