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Algorithmic composition : a guide to composing music with Nyquist /

Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the compose...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Simoni, Mary Hope
Otros Autores: Dannenberg, Roger B.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, ©2013.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Simoni, Mary Hope. 
245 1 0 |a Algorithmic composition :  |b a guide to composing music with Nyquist /  |c Mary Simoni and Roger B. Dannenberg. 
260 |a Ann Arbor :  |b University of Michigan Press,  |c ©2013. 
300 |a 1 online resource (xii, 249 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
380 |a Discography 
504 |a Includes bibliographical references (pages 236-242), discography and index. 
588 0 |a Print version record. 
505 0 |a Introduction -- The History and Philosophy of Algorithmic Composition -- Introduction to SAL -- Programming and Nyquist -- Introduction to Algorithmic Composition -- Printing, Reading, and Debugging -- Variable Assignment and Scoping -- Conditionals -- Sets and Tables -- Functional Programming -- Recursion -- Iteration -- Algorithmic Composition Using Probabilistic Methods -- Hierarchical and Recursive Musical Structure -- Composing Sonic Microstructure and Macrostructure -- Extended Examples -- Epilogue -- Appendix. SAL Commands and Functions. 
520 |a Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the composer has only a vague idea how the output will sound, but because the input is highly automated, the composer can make adjustments to take advantage of happy accidents, program bugs, and other creative sources of sound. This book provides an overview of procedural approaches to music generation. It introduces programming concepts through many examples written using the Nyquist system for music composition and sound synthesis. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Composition (Music) 
650 0 |a Music theory  |x Mathematics. 
650 0 |a Musical analysis. 
650 0 |a Pattern formation (Physical sciences) 
650 0 |a Algorithms. 
650 0 |a Soft computing. 
650 0 |a Music  |y 20th century  |x Philosophy and aesthetics. 
650 0 |a Music  |y 20th century  |x History and criticism. 
650 2 |a Algorithms 
650 6 |a Composition (Musique) par ordinateur. 
650 6 |a Composition (Musique) 
650 6 |a Théorie musicale  |x Mathématiques. 
650 6 |a Analyse musicale. 
650 6 |a Formation des structures (Sciences physiques) 
650 6 |a Algorithmes. 
650 6 |a Informatique douce. 
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650 7 |a algorithms.  |2 aat 
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650 7 |a Pattern formation (Physical sciences)  |2 fast 
650 7 |a Soft computing  |2 fast 
648 7 |a 1900-1999  |2 fast 
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700 1 |a Dannenberg, Roger B. 
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