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130309s2012 xx o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d UKDOC
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|a 9781136506635
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|a 1136506632
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|a AU@
|b 000055878213
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|a (OCoLC)829462017
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|a PN1996
|b .B452 2012
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|a 808.23
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|a UAMI
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|a Beker, Marilyn.
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|a Screenwriting That Matters.
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260 |
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|a Hoboken :
|b Taylor and Francis,
|c 2012.
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|a 1 online resource (201 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The Screenwriter Activist Writing Social Issue Movies; Copyright; Contents; Preface: MY REASONS TO BELIEVE; Acknowledgments; INTRODUCTION; What's It All About?; What's a Social Issue?; The Steps to Writing a Social Issue Movie; Spoiler Alert!; 1 MOTIVATION; Words to Write By; 2 TAKING ACTION; A Tradition of Good Works; The Infl uence of Movies on Trends and Fashion; All Art is Propaganda; The Social Issue List; Social Issue Oscar Winners; Participant Media- The Social Issue Production Company; 3 INSPIRATION; Issue Mapping Exercise; 4 CHARACTER.
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|a Issue Map/Biography of Main Character Angela-A Native American Rights Activist5 ON THE SHOULDERS OF GIANTS; Labor Practices: Norma Rae; Gay and Discrimination Issues: Philadelphia; Censorship: Good Morning Vietnam; Euthanasia: Million Dollar Baby; Abortion: Vera Drake; 6 TRUE OR FALSE; Legal Precautions; 7 PLAN OF ATTACK; The Sherlock/Snitch: The Investigation/Whistleblower Model; The Lawyer-Up: The Trial Model; The Heart-Tugger: The Relationship Model; The Chuckle: The Satirical Model; The Life: The Biopic Model; The Yoda: The Mentor Model; The Shining Knight: The Hero/Rescuer Model.
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|a Outline Magic TemplateSocial Issue Screenplay Models; 8 RESEARCH; Basic Ground Rules; Interesting Things To Consider In Writing A Movie; Brief Information On Social Issues; 9 GETTING IT MADE; Making It: A Case Study; Afterglow; Notes; References; Index.
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|a Hotel Rwanda. Philadelphia. Silkwood. Some of the most important films ever made have tackled real-world social issues, from genocide to homophobia to corporate greed. As storytellers, activist screenwriters recognize that social issues make great stories that can be gut-wrenching, heart-tugging, funny, tragic, and interesting to watch. The Screenwriter Activist helps screenwriters tell those stories in compelling, non-preachy, and inspiring ways. The Screenwriter Activist is an in-depth, practical guide, appropriate for students in interme.
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588 |
0 |
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Motion picture authorship
|x Social aspects.
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650 |
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|a Motion picture authorship
|x Political aspects.
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650 |
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|a Motion picture authorship
|x Political aspects.
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650 |
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|a Motion picture authorship
|x Social aspects.
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|a Cinéma
|x Art d'écrire
|x Aspect social.
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650 |
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|a Cinéma
|x Art d'écrire
|x Aspect politique.
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650 |
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|a Motion picture authorship
|x Social aspects.
|2 fast
|0 (OCoLC)fst02014924
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758 |
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|i has work:
|a Screenwriting That Matters (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCXrGQMMCJvGYm4pCGyqwyd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Beker, Marilyn.
|t Screenwriting That Matters.
|d Hoboken : Taylor and Francis, ©2012
|z 9780415897143
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=995735
|z Texto completo
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938 |
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|a 123Library
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|a ProQuest Ebook Central
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994 |
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