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Media Authorship.

Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chris, Cynthia
Otros Autores: Gerstner, David A.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor and Francis, 2013.
Colección:AFI film readers.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Media Authorship; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction; Part One: Signature; 1. Creativity, Copyright, and Authorship; 2. Copyright Shakedown: The Rise and Fall of Righthaven; 3. Appropriation Art, Subjectivism, Crisis: The Battle for Fair Uses; 4. Authorship Versus Ownership: The Case of Socialist China; 5. Authoring Cloth: The Copyright Protection of Fabric Designs in Ghana and the United States; 6. Sufi Homoerotic Authorship and Its Heterosexualization in Pakistan; Part Two: Event; 7. Authoring User-generated Content. 
505 8 |a 8. Invention, Authorship, and Massively Collaborative Media9. Abductive Authorship of the New Media Artifact; 10. Creative Authorship: Self-actualizing Individuals and the Self-brand; 11. Authoring the Occupation: The Mic Check, the Human Microphone, and the Loudness of Listening; Part Three: Context; 12. The Myth of Democratizing Media: Software-specifi C Production Cultures; 13. Global Flows of Women's Cinema: Nadine Labaki and Female Authorship; 14. Anxieties of Authorship in the Colonial Archive; 15. Perceptions of Place: The Nowhere and the Somewhere of Al Jazeera. 
505 8 |a 16. Amateur Auteurs? The Cultivation of Online Video Partners and Creators17. Publish. Perish? The Academic Author and Open Access Publishing; List of Contributors; Bibliography; About the American Film Institute; Index. 
520 |a Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures-from visual arts to videogames, from textiles to television-contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Spec. 
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