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A Companion to Media Authorship.
A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, attributions, and meanings of authorship. Revitalizing the study within media and cultural studies, this diverse and global collection provides the definitive work on the subject. Rethinks cultures of...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chichester :
Wiley,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page; Copyright; Contents; Notes on Contributors; Chapter 1 Introduction: The Problem of Media Authorship; Part I Theorizing and Historicizing Authorship; Chapter 2 Authorship and the Narrative of the Self; Introduction: Three Acts; Act I. God
- or is it Mammon?
- is an Author; Act II. No-One is an Author; Act III. Everyone is an Author; Notes; Chapter 3 The Return of the Author: Ethos and Identity Politics; Fraught Authorship and its Ethical Implications; Birth of the Author; Death of the Author; Postmodern Subjects and Why Identities Matter; Hipster Racism and ''Other Asians''
- ''Woman's Work'' and Squaring UpPseudonyms and Online Identities; Authority and Gender in Fan Texts; Fan Reader/Writer Interaction; Authorial Ethos; Notes; Chapter 4 Making Music: Copyright Law and Creative Processes; Musical Visions: Sacralization and Changing Nineteenth-Century Conceptions of Creation; Sacralization, Copyright Conceptions of Creativity, and the Rise of African-Based Music; Copyright, Borrowing, and the Blues; Conclusion; Notes; Chapter 5 When is the Author?; A Recent History of the Author; Many Authors; Incomplete Authorship; Many Readers or Many Authors?
- Clusters of AuthorshipCluster Flux: A Conclusion; Notes; Chapter 6 Hidden Hands at Work: Authorship, the Intentional Flux, and the Dynamics of Collaboration; Introduction; The Author's Intentional Flux: A Low Altitude Theory; Preliminary Stances: Bresson's Precompositional Commitment to Visual Austerity; Bresson and Burel: Problems and Solutions in ''Stripping the Wires''; Conclusion: The Intentional Flux Model at the Intersection of Film and Media Studies; Notes; Part II Contesting Authorship; Chapter 7 Participation is Magic: Collaboration, Authorial Legitimacy, and the Audience Function.
- Everypony is an Author?From the Glue Factory to the TV Factory; Authorship Straight from the Horse's Mouth; Taking the Reins; Conclusion: Horse Power; Notes; Chapter 8 Telling Whose Stories? Re-examining Author Agency in Self-Representational Media in the Slums of Nairobi; Self-Representational Media Production; The Research Setting; Levels of Analysis in Self-Representational Media Production; Self-Representational Media Authorship; Notes; Chapter 9 Never Ending Story: Authorship, Seriality, and the Radio Writers Guild; Streaming Seriality as Cultural Form.
- Irna Phillips and the Perils of Serial AuthorshipThe Organization of Authorship; Herding Cats
- Invisible Cats; Defining and Defending Radio Authorship; The Consolidation of Authorship; Notes; Chapter 10 From Chris Chibnall to Fox: Torchwood's Marginalized Authors and Counter-Discourses of TV Authorship; Tactical Authorship: Chris Chibnall as Showrunner ''Tenant''; Author Pseudonyms in Industry Counter-Discourse: Introducing Amos Crumpsall, Stone D. McFerris, and WebleyWildfoot; The US-UK Torchwood that Wasn't: Fox as ''Evil''/''Lovely''; Conclusion; Notes.