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A Companion to British Art : 1600 to the Present.
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicester :
Wiley,
2013.
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| Colección: | Blackwell companions to art history.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Arnold, Dana. | |
| 245 | 1 | 2 | |a A Companion to British Art : |b 1600 to the Present. |
| 260 | |a Chicester : |b Wiley, |c 2013. | ||
| 300 | |a 1 online resource (590 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Blackwell Companions to Art History | |
| 505 | 0 | |a A Companion to British Art: 1600 to the Present; Copyright; Contents; List of Illustrations; Acknowledgements; Notes on Contributors; Part 1 Editors' Introduction; Editors' Introduction; Part 2 General; 1 The "Englishness" of English Art Theory; Notes; 2 Modernity and the British; Ancient Modernity; Early Modern Modernity; Present Modernity; Progressive Modernity; Insular Responses; Modernist Tradition; Notes; 3 English Art and Principled Aesthetics; Notes; Part 3 Institutions; 4 "Those Wilder Sorts of Painting": The Painted Interior in the Age of Antonio Verrio; The Bigger Picture. | |
| 505 | 8 | |a On Painted CeilingsBeyond the Baroque; Hercules on the Stairs; Notes; Selected Bibliography; 5 Nineteenth-Century Art Institutions and Academies; Valuation and Investigation at the Royal Academy; Social Values and Academic Norms; The Institutional Body; Notes; 6 Crossing the Boundary: British Art across Victorianism and Modernism; Binyon and the Saturday Review; Binyon's Theory of Art; Art and Life; The New Art; Binyon and Modernism; Conclusion; Acknowledgements; Notes; 7 British Pop Art and the High/Low Divide; Introduction; Revisiting the Cultural Continuum. | |
| 505 | 8 | |a Artistic Agency and the High/Low DivideBritish Pop Art in the Early 1960s; Derek Boshier and Richard Smith; Conclusion; Notes; 8 When Attitudes Became Formless: Art and Antagonism in the 1960s; Opticality and "the Eye/Body" Problem; Art, Objecthood, and Modernist Sculpture; Pop Goes London: Transatlantic Exchange and the Anxiety of Influence; Anti-form and Anti-monumentality: Modernism under Pressure; Destruction in Art; Notes; Part 4 Nationhood; 9 Art and Nation in Eighteenth-Century Britain; Notes; 10 International Exhibitions: Linking Culture, Commerce, and Nation. | |
| 505 | 8 | |a Mapping as Cultural Practice in International ExhibitionsThe Great Exhibition, 1851: Culture, Commerce, and Display; Visuality, Things, and the Display of Nations; National Unity and the New; Spectacles beyond Time and Space; The Fine Arts; Displaying the Empire; Franco-British Exhibition, 1908: Modernism and Women; Conclusion; Notes; 11 Itinerant Surrealism: British Surrealism either side of the Second World War; Introduction; Swanage 1936; Burlington Gardens 1936; Blackheath 1936; From War to Postwar; British Surrealism Now; Conclusion: Art in a National Frame; Notes. | |
| 505 | 8 | |a 12 55° North 3° West: A Panorama from ScotlandA Scottish Imaginary; Something like a "Tradition"; Being Scottish, Being British, Being Internationalist; Festival Times; Mapping and Remapping; Notes; Selected Bibliography; 13 Retrieving, Remapping, and Rewriting Histories of British Art: Lubaina Himid's "Revenge"; Thinking Conjuncturally; At the Water's Edge; Conclusions; Acknowledgements; Notes; Part 5 Landscape; 14 Defining, Shaping, and Picturing Landscape in the Nineteenth Century; Defining Terms; Situated in the Social Realm; Modes of Landscape Representation; Social-Historical Framework. | |
| 500 | |a Gardening and Garden Design. | ||
| 520 | |a This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British artCombines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500Provides the first comprehensive introductio. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Art, British. | |
| 650 | 6 | |a Art britannique. | |
| 650 | 7 | |a Art, British |2 fast | |
| 700 | 1 | |a Peters Corbett, David. | |
| 758 | |i has work: |a A companion to British art (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFHJCXWkWRQvpPGgtDMvDy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Arnold, Dana. |t A Companion to British Art : 1600 to the Present. |d Chicester : Wiley, ©2013 |z 9781405136297 |
| 830 | 0 | |a Blackwell companions to art history. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1132560 |z Texto completo |
| 938 | |a Credo Reference |b CRED |n 9781782686798 | ||
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