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Stagestruck : the business of theater in eighteenth-century France and its colonies /
This book traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era, more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca :
Cornell University Press,
2013
|
| Colección: | UPCC book collections on Project MUSE. History.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Clay, Lauren. | |
| 245 | 1 | 0 | |a Stagestruck : |b the business of theater in eighteenth-century France and its colonies / |c Lauren R. Clay. |
| 264 | 1 | |a Ithaca : |b Cornell University Press, |c 2013 | |
| 300 | |a 1 online resource (xvi, 334 pages) : |b illustrations, maps | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : The making of a French theater industry -- Investing in the arts -- Designing the civic playhouse -- The extent and limits of state intervention -- Directors and the business of performing -- The work of acting -- Consumers of culture -- The production of theater in the colonies -- Epilogue : Culture, commerce, and the state. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This book traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era, more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, this book illuminates the wide-ranging consequences of theater's spectacular growth for performers, spectators, and authorities in cities throughout France as well as in the empire's most important Atlantic colony, Saint-Domingue. The author argues that outside Paris, the expansion of theater came about through local initiative, civic engagement, and entrepreneurial investment, rather than through actions or policies undertaken by the royal government and its agents. Reconstructing the business of theatrical production, she brings to light the efforts of a wide array of investors, entrepreneurs, directors, and actors - including women and people of color - who seized the opportunities offered by commercial theater to become important agents of cultural change. Portraying a vital and increasingly consumer-oriented public sphere beyond the capital, this book overturns the long-held notion that cultural change flowed from Paris and the royal court to the provinces and colonies. This work will appeal to historians of Europe and the Atlantic world, particularly those interested in the social and political impact of the consumer revolution and the forging of national and imperial cultural networks. In addition to theater and literary scholars, it will attract the attention of historians and sociologists who study business, labor history, and the emergence of the modern French state. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Theater and society |z France |x History |y 18th century. | |
| 650 | 0 | |a Theater and society |z West Indies, French |x History |y 18th century. | |
| 650 | 0 | |a Theater |x Economic aspects |z France |x History |y 18th century. | |
| 650 | 0 | |a Theater |x Economic aspects |z West Indies, French |x History |y 18th century. | |
| 650 | 0 | |a Theater management |z France |x History |y 18th century. | |
| 650 | 0 | |a Theater management |z West Indies, French |x History |y 18th century. | |
| 651 | 0 | |a France |x Social life and customs |y 18th century. | |
| 651 | 0 | |a West Indies, French |x Social life and customs |y 18th century. | |
| 650 | 6 | |a Théâtre et société |z France |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théâtre et société |z Antilles françaises |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théâtre |x Aspect économique |z France |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théâtre |x Aspect économique |z Antilles françaises |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théâtre |x Gestion |z France |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théâtre |x Gestion |z Antilles françaises |x Histoire |y 18e siècle. | |
| 651 | 6 | |a France |x Mœurs et coutumes |y 18e siècle. | |
| 651 | 6 | |a Antilles françaises |x Mœurs et coutumes |y 18e siècle. | |
| 650 | 7 | |a HISTORY |z Europe |z France. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Manners and customs |2 fast | |
| 650 | 7 | |a Theater and society |2 fast | |
| 650 | 7 | |a Theater |x Economic aspects |2 fast | |
| 650 | 7 | |a Theater management |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 651 | 7 | |a Lesser Antilles |z West Indies, French |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjXmD9gY6RvghMWkVPJDq | |
| 650 | 7 | |a Kolonie |2 gnd | |
| 650 | 7 | |a Theater |2 gnd | |
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| 651 | 7 | |a Westindien |2 gnd | |
| 648 | 7 | |a 1700-1799 |2 fast | |
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| 758 | |i has work: |a Stagestruck: The Business of Theater in Eighteenth-century France and Its Colonies (Work) |1 https://id.oclc.org/worldcat/entity/E39PCYxvxf9rGmmfv3yTKYRgw3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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