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Carl Philipp Emanuel Bach : a guide to research /

Although he is the son of J.S. Bach, C.P.E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C.P.E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the edit...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Powers, Doris Bosworth
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Routledge, 2011.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; CARL PHILIPP EMANUEL BACH; Title Page; Copyright Page; Table of Contents; Preface; Chapter 1. Introduction: Carl Philipp Emanuel Bach 1714-1788; Works, Musical Style, Personal Associations; Survey of the History of C.P.E. Bach Research; Overview of Bach's Place in History; Chapter 2. Basic Resources I: Catalogs, Indexes, and Other Sources; Catalogs, Indexes, and Collections of Documents; Tools for C.P.E. Bach Manuscript Studies; Bibliographies; Collections of Essays; Chapter 3. Basic Resources II: C.P.E. Bachiana (Writings and Letters).
  • Selected C.P.E. Bach Writings (H. 867-875 and Others), Along with Published Letters by, to, and about C.P.E. Bach, and Other DocumentsChapter 4. Editing and Editions: A Historical View; C.P.E. Bach as Editor of His Father's Works; C.P.E. Bach as Publisher and Distributor of His Own Music; About Nineteenth- and Twentieth-Century Editions of C.P.E. Bach's Music; Selected Printed Music and Manuscripts; Chapter 5. Biographical Materials; Life and Works; The Early Years (1714-1738); The Berlin Years (1738-1768); The Hamburg Years (1768-1788); Miscellaneous Studies.
  • Chapter 6. C.P.E. Bach's Legacy: His Estate and ReceptionThe Estate; His Influence in Vienna; His Influence in Germany; His Influence in Britain, Ireland, Lithuania, Poland, Russia, Bohemia, and Spain; Evaluations of His Place in History; Chapter 7. Bach's Cultural Milieu and Aesthetics; Bach's Cultural Milieu; Bach's Aesthetic Principles; Chapter 8. Analysis and Criticism of Compositions and Writings; A. Style in General; Broad-Based Comments; Compositional Principles and Devices; B. Instrumental Music; Solo Keyboard (H. 1-501): General Keyboard Style; Solo Keyboard (H. 1-501): Concertos.
  • Solo Keyboard (H. 1-501): SonatasSolo Keyboard (H. 1-501): Fantasias; Solo Keyboard (H. 1-501): Rondos; Solo Keyboard (H. 1-501): Assorted Keyboard Genres; Solo Keyboard (H. 1-501): Organ Works; Solo Works for Other Instruments, and Chamber Music (H. 403-501; H. 502-647); Symphonies (H. 648-668); C. Vocal Music; Solo Voice (H. 669-771); Choral Works (H. 772-866.5); D. Didactic and Theoretical Works; Didactic Compositions (H. 867, 871, and Others); Theoretical Writings: Einfall (H. 869); Theoretical Writings: Versuch (H. 868, 870); Chapter 9. Performance Practices; General Comments.
  • Keyboard FingeringOrnaments; Expression; Rhythmic Considerations; Improvisation; Performance of Instrumental and Choral Music; Indexes; Author Index: Authors, Editors, Translators, and Reviewers; Subject Index; Index of Bach's Compositions Referenced in Citations.