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William Blake and the digital humanities : collaboration, participation, and social media /
William Blake's work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own cre...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2013.
|
| Colección: | Routledge interdisciplinary perspectives on literature ;
14. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Whitson, Roger. | |
| 245 | 1 | 0 | |a William Blake and the digital humanities : |b collaboration, participation, and social media / |c Roger Whitson and Jason Whittaker. |
| 260 | |a New York : |b Routledge, |c 2013. | ||
| 300 | |a 1 online resource (xi, 211 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 490 | 1 | |a Routledge interdisciplinary perspectives on literature ; |v 14 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; William Blake and the Digital Humanities; Title Page; Copyright Page; Table of Contents; List of Figures; Acknowledgments; Introduction: Zoamorphosis and the Digital Humanities; 1 Archives and Ecologies; 2 The Tyger; 3 Jerusalem; 4 Digital Creativity: Teaching William Blake in the Twenty-First Century; 5 Blake and His Online Audiences; 6 Folksonomies and Machine Editing: William Blake's New Aesthetic on Flickr, Wikipedia, and YouTube; Coda: Dust and Self-Annihilation; Notes; Bibliography; Index. | |
| 520 | |a William Blake's work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake's work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages - even demands - that others take up Blake's creative mission. The authors rexamine the history of the digital humanities in relation to the study. | ||
| 546 | |a English. | ||
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Blake, William, |d 1757-1827 |x Influence. |
| 600 | 1 | 0 | |a Blake, William, |d 1757-1827 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Blake, William, |d 1757-1827 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJmpdWcVwPG6Hrj8MRxCcP |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Whittaker, Jason, |d 1969- |1 https://id.oclc.org/worldcat/entity/E39PCjDHFMyjtgVWGdJ96PvXgq | |
| 776 | 0 | 8 | |i Print version: |a Whitson, Roger. |t William Blake and the digital humanities. |d New York : Routledge, 2013 |w (DLC) 2012031927 |
| 830 | 0 | |a Routledge interdisciplinary perspectives on literature ; |v 14. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1108541 |z Texto completo |
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