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Dramatic expression in Rameau's Tragédie en musique : between tradition and enlightenment /
Verba's fresh approach to understanding Rameau's role in the French Enlightenment focuses on dramatic expression in his musical tragedies.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Verba, Cynthia. | |
| 245 | 1 | 0 | |a Dramatic expression in Rameau's Tragédie en musique : |b between tradition and enlightenment / |c Cynthia Verba. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (342 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Acknowledgements; Translations and terminology; 1 Introduction; Music's duality in Enlightenment thought; Between tradition and innovation; Inherited gender stereotypes; Rameau versus Rousseau on musical expression; Issues of balance between music and text; Lully as point of reference; Procedural decisions; 2 Rameau's concept of musical expression: In theory and in practice; 3 Getting oriented: Rameau's first tragedy, Hippolyte et Aricie (premiere, 1733); The pangs of forbidden love; Aricie's monologue aria, Act I, Scene 1. | |
| 505 | 8 | |a Recitative dialogue between Hippolyte and Aricie, Act II, Scene 2 (from the printed score of 1742)Intense conflict; Recitative dialogue between Hippolyte and Phèdre, Act III, Scene 3; Structure and dramatic conflict on a grander scale; Phèdre's monologue aria, Act III, Scene 1; Thésée's monologue scene, recitative and culminating air, Act III, Scene 9; Conflict resolution; Thésée's monologue, Act V, Scene 1; Thésée's and Neptune's recitative dialogue, Act V, Scene 2; 4 Comparative overview of Rameau's tragedies, first versions: Continuity and change; Hippolyte et Aricie (premiere, 1733). | |
| 505 | 8 | |a Castor et Pollux (premiere, 1737)Dardanus (premiere, 1739); Zoroastre (premiere, 1749); Les Boréades; 5 Scenes of forbidden love confessed; Castor et Pollux; Télaïre's monologue aria, Act I, Scene 3; Castor's monologue aria, Act IV, Scene 1; Dardanus; Recitative dialogue between Iphise and Dardanus, Act II, Scene 5; Iphise's monologue aria, Act I, Scene 1; Zoroastre; Recitative dialogue between Amélite and Zoroastre, Act III, Scene 6; Amélite's monologue aria, Act V, Scene 1; Les Boréades; Abaris's monologue aria, Act II, Scene 1. | |
| 505 | 8 | |a Recitative dialogue between Alphise and Abaris, Act II, Scene 56 Scenes of intense conflict; Castor et Pollux; Recitative dialogue between Phébé, Télaïre, and Pollux, Act III, Scene 3; Dardanus; Recitative dialogue between Iphise and Anténor, Act III, Scene 2; Zoroastre; Abramane's monologue aria, Act IV, Scene 1; Recitative dialogue between Abramane and Zoroastre, Act V, Scene 4; Les Boréades; Recitative dialogue: Alphise, Adamas, Abaris, Borilée, and Calisis, with respective followers in split chorus, Act III, Scene 4; 7 Scenes of conflict resolution; Castor et Pollux. | |
| 505 | 8 | |a Recitative dialogue between Castor and Pollux, Act IV, Scene 4Dardanus; Recitative dialogue between Dardanus, Anténor, Iphise, and Teucer, Act V, Scene 2; Zoroastre; Zoroastre's accompanied recitative, Act V, Scene 5; Les Boréades; Recitative dialogue between Abaris and his enemies, Act V, Scenes 4 and 5; Conclusion; Bibliography; Index. | |
| 520 | |a Verba's fresh approach to understanding Rameau's role in the French Enlightenment focuses on dramatic expression in his musical tragedies. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Rameau, Jean-Philippe, |d 1683-1764 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Rameau, Jean-Philippe, |d 1683-1764 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcrh3tQT6KfgCCf9Mctrq |
| 650 | 0 | |a Enlightenment |z France. | |
| 650 | 0 | |a Music |z France |x Philosophy and aesthetics. | |
| 650 | 0 | |a Opera |z France |y 18th century. | |
| 650 | 6 | |a Siècle des Lumières |z France. | |
| 650 | 6 | |a Musique |z France |x Philosophie et esthétique. | |
| 650 | 6 | |a Opéra |z France |y 18e siècle. | |
| 650 | 7 | |a Enlightenment |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Opera |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Verba, Cynthia. |t Dramatic Expression in Rameau's Tragédie en Musique : Between Tradition and Enlightenment. |d Cambridge : Cambridge University Press, ©2013 |z 9781107021563 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1113070 |z Texto completo |
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